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Rethinking Malevich : Proceedings of a Conference in Celebration of the 125th...
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eBay item number:364724140658
Item specifics
- Condition
- Book Title
- Rethinking Malevich : Proceedings of a Conference in Celebration
- ISBN
- 9781904597483
- Publication Year
- 2006
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Subject Area
- Art
- Publication Name
- Rethinking Malevich : Proceedings of a Conference in Celebration of the 125th Anniversary of Kazimir Malevich's Birth
- Publisher
- Pindar Press
- Subject
- History / Modern (Late 19th Century to 1945), Individual Artists / General
- Item Weight
- 47.1 Oz
- Number of Pages
- 404 Pages
About this product
Product Identifiers
Publisher
Pindar Press
ISBN-10
1904597483
ISBN-13
9781904597483
eBay Product ID (ePID)
72520863
Product Key Features
Number of Pages
404 Pages
Publication Name
Rethinking Malevich : Proceedings of a Conference in Celebration of the 125th Anniversary of Kazimir Malevich's Birth
Language
English
Subject
History / Modern (Late 19th Century to 1945), Individual Artists / General
Publication Year
2006
Type
Textbook
Subject Area
Art
Format
Hardcover
Dimensions
Item Weight
47.1 Oz
Additional Product Features
Intended Audience
College Audience
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
759.7
Table Of Content
Preface John E, Bowlt, 'Kazimir Malevich and Fedor Rerberg' Elena Basner, 'The Early Work of Malevich and Kandinsky: A Comparative Analysis' Natalia Avtonomova, 'Malevich and Kandinsky: The Choices after Non-Objectivity' Tatiana Goriacheva, 'Suprematism and Constructivism: The Intersection of Parallels' Linda Boersma, 'Malevich and De Stijl' Myroslava M. Mudrak, 'Malevich and his Ukrainian Contemporaries' Adrian Barr, 'From 'Vozbuzhdenie to Oshchushenie: Theoretical Shifts, Nova Generatsiia and the Late Paintings' Pamela Kachurin, 'Malevich as Soviet Bureaucrat: Ginkhuk and the Survival of the Avant-Garde 1923-1926' Konstantin Akinsha, 'The Funeral of the Revolution' Irina Vakar, 'Kazimir Malevich and Ortega y Gasset on the New Art' Eva Forgacs, 'Malevich and Western Modernism' James Lawrence, 'False Positives: Malevich, MoMA and Minimalism' Irina Karasik, 'Extending Malevich: Malevich as Subject in Russian Art After The Second World War' Aleksandra Shatskikh, 'Features of Kazimir Malevich's Literary Legacy: A Summary' Index
Synopsis
"Rethinking Malevich" is an English-language collection of sixteen innovative essays by leading international scholars that document new and intriguing aspects of Kazimir Malevich's art and biography., The Russian artist Kazimir Malevich was one of the great figures of twentieth-century art, and a pioneer of abstraction, whose painting The Black Square of 1915 has become an icon of modernism. Yet he is a creative figure about whom much still remains to be elucidated. Soviet scholarship ignored him for decades, and Western scholars were inevitably only able to work with the limited visual and documentary material that was available to them. It was only after the fall of Communism in 1991 that access to such material became easier. This book represents the fruits of the research that has been conducted since then by a range of Russian and Western scholars who have been able to shed vital new light on the artist's life, his training, his art, his career, his relationships with other artists and movements, and his theories., "Rethinking Malevich" is an English-language collection of sixteen innovative essays by leading international scholars that document new and intriguing aspects of Kazimir Malevich's art and biography. This latest research on the Russian modern artist appears after more than seventy years of political and cultural difficulties - including the East-West bifurcation of his artistic and written legacy - that impeded the study and understanding of his work. For the first time, the greater portion of Malevich's work and writings was available for the scholarly research and study undertaken here. The result is a wealth of new details about this pioneer of abstraction, including: explorations of his early art education; the differences in the reception of his abstract art by Western and Russian audiences; the appearance of his work in 1936 at the Museum of Modern Art; the artist's special relationship with Ukraine. The development of his art is considered alongside that of Vasily Kandinsky and Giorgio De Chirico, and his philosophy is examined in comparison with the ideas of Nikolai Fedorov and Ortega-y-Gasset. The history of Russian and Soviet art in the 1920s and 1930s is intricately interwoven with the revolutionary social changes taking place throughout the country. Here are details of the political maneuverings Malevich went through in Russia to protect his art and his friends, and his reaction to Lenin's death in 1924 and the subsequent growth of the "Lenin myth." Rethinking Malevich reveals the complex early interweaving of Suprematism and Constructivism, considers little-researched aspects of the artist's Post-Suprematist period, and the history of Malevich's literary legacy. Not least, it demonstrates the various ways in which Malevich's art continues to stimulate the highly unusual work of contemporary Russian artists.
Item description from the seller
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- 8***5 (18)- Feedback left by buyer.Past monthVerified purchaseI didn't see a verbal description of this book as "hardcover" or paperback. Cover design and price were similar to both cover styles. I thought I'd left a question for the seller, but I may have done something wrong. The package was too small to match the hardcovers previously received so I returned it unopened. Seller was very efficient, and packaging offered excellent protection. Haven't checked to see if refund was processed.
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