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Repainting the Walls of Lunda : Information Colonialism and Angolan Art, Pape...
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eBay item number:364769187101
Item specifics
- Condition
- Book Title
- Repainting the Walls of Lunda : Information Colonialism and Angol
- ISBN
- 9780816694488
- Subject Area
- Design, Art, History
- Publication Name
- Repainting the Walls of Lunda : Information Colonialism and Angolan Art
- Item Length
- 8 in
- Publisher
- University of Minnesota Press
- Subject
- Africa / South / General, African, History / General, Decorative Arts
- Publication Year
- 2016
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1 in
- Item Width
- 6 in
- Item Weight
- 11.1 Oz
- Number of Pages
- 240 Pages
About this product
Product Information
Chronicling thepublication and dissemination of the anthropology book Paredes Pintadas daLunda (Painted Walls of Lunda), Delinda Collier analyzes two-dimensional imagesof the Chokwe peoples of northeastern Angola and their subsequent formats, frompostindependent canvas paintings to Internet images. Collier argues that thelogic of reproductive media envelops the past: each mediation adds anotherlayer of context and content.
Product Identifiers
Publisher
University of Minnesota Press
ISBN-10
0816694486
ISBN-13
9780816694488
eBay Product ID (ePID)
219257016
Product Key Features
Publication Name
Repainting the Walls of Lunda : Information Colonialism and Angolan Art
Format
Trade Paperback
Language
English
Subject
Africa / South / General, African, History / General, Decorative Arts
Publication Year
2016
Type
Textbook
Subject Area
Design, Art, History
Number of Pages
240 Pages
Dimensions
Item Length
8 in
Item Height
1 in
Item Width
6 in
Item Weight
11.1 Oz
Additional Product Features
LCCN
2015-008719
Intended Audience
Scholarly & Professional
Lc Classification Number
Nd2867.6.A52l863
Reviews
"Collier's book is of particular interest to art historians, historians, media scholars, and cultural theorists for its conceptual framing, applied methodological approaches, and interpretative analysis. Collier offers new conceptual and methodological strategies for situating contemporary African art within longer histories of colonization and decolonization."-- H-Net Reviews "In addition to telling a fascinating story, Collier's book will no doubt furnish scholars from a variety of areas with substantial food for thought, if not concrete models for approaching their own research."-- Anlise Social, " Repainting the Walls of Lunda reimagines how we write histories of post-colonial Africa, encouraging us to pay close attention to the material legacies of coloniality and modernization processes, and offering us a much-needed look at the complex entanglements of media with colonial/postcolonial and cold war narratives."--Elizabeth Harney, University of Toronto, "Collier's book is of particular interest to art historians, historians, media scholars, and cultural theorists for its conceptual framing, applied methodological approaches, and interpretative analysis. Collier offers new conceptual and methodological strategies for situating contemporary African art within longer histories of colonization and decolonization."-- H-Net Reviews "In addition to telling a fascinating story, Collier's book will no doubt furnish scholars from a variety of areas with substantial food for thought, if not concrete models for approaching their own research."-- Anlise Social "A unique insight into the limits of postcolonial escape from colonial structures of inequality and appropriations."-- Journal of Asian and African Studies "Collier debunks the developmental model that underpins media theory and modernist teleologies, habitually framing ideas of the medium along a narrative of innovation and obsolescence that is driven by technology and markets."-- Oxford Art Journal, "Collier's book is of particular interest to art historians, historians, media scholars, and cultural theorists for its conceptual framing, applied methodological approaches, and interpretative analysis. Collier offers new conceptual and methodological strategies for situating contemporary African art within longer histories of colonization and decolonization."-- H-Net Reviews
Table of Content
Contents Introduction 1. Diamang as Apparatus: The Production of Painted Walls of Lunda in 1953 2. The Myth of Analog Africa: The Transition to Information Colonialism 3. Rebouco : Postindependence Art and Angolan Socialism 4. "Rescue and Visibility": The Digitization of Painted Walls of Lunda and Postwar Angolan Art Conclusion Acknowledgments Notes Index
Copyright Date
2016
Dewey Decimal
751.7/309673
Dewey Edition
23
Illustrated
Yes
Item description from the seller
Seller assumes all responsibility for this listing.
eBay item number:364769187101
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