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The Art of Watching Films [With Tutorial CD-ROM]
by Boggs, Joseph M.; Petrie, Dennis W. | PB | VeryGood
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“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ”... Read moreabout condition
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Located in: Aurora, Illinois, United States
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eBay item number:375430995472
Item specifics
- Condition
- Very Good
- Seller Notes
- Binding
- Paperback
- Weight
- 2 lbs
- Product Group
- Book
- IsTextBook
- Yes
- ISBN
- 9780073310282
- Subject Area
- Performing Arts
- Publication Name
- Art of Watching Films
- Item Length
- 9 in
- Publisher
- McGraw-Hill Companies, T.H.E.
- Subject
- Film / General, Film / History & Criticism
- Publication Year
- 2006
- Type
- Textbook
- Format
- Trade Paperback / Dvd
- Language
- English
- Item Height
- 0.8 in
- Features
- Revised
- Item Width
- 7 in
- Item Weight
- 32.4 Oz
- Number of Pages
- 608 Pages
About this product
Product Information
The reader is invited to hone his or her skills in the fields of critical analysis and evaluation of narrative film. The author uses contemporary popular American film as working material to help the reader develop these skills.
Product Identifiers
Publisher
McGraw-Hill Companies, T.H.E.
ISBN-10
007331028x
ISBN-13
9780073310282
eBay Product ID (ePID)
21038299061
Product Key Features
Publication Name
Art of Watching Films
Format
Trade Paperback / Dvd
Language
English
Features
Revised
Subject
Film / General, Film / History & Criticism
Publication Year
2006
Type
Textbook
Subject Area
Performing Arts
Number of Pages
608 Pages
Dimensions
Item Length
9 in
Item Height
0.8 in
Item Width
7 in
Item Weight
32.4 Oz
Additional Product Features
Edition Number
7
LCCN
2006-048155
Lc Classification Number
Pn1995.B525 2007
Edition Description
Revised Edition
Table of Content
Preface 1. The Art of Watching Films The Uniqueness of Film The Challenges of Film Analysis The Value of Film Analysis Becoming a Receptive Viewer The Film - Viewing Environment Preparing to See a Film Deepening Our Responses to Films Questions for Analyzing Your Responses to a Film 2. Thematic Elements Theme and Focus Focus on PlotFocus on Emotional Effect or Mood Focus on Character Focus on Style or Texture or Structure Focus on Ideas Identifying the Theme Evaluating the Theme Questions for Analyzing Theme Video Exercises Films for Study 3. Fictional and Dramatic Elements Film Analysis and Literary Analysis The Elements of a Good Story A Good Story Is Unified in Plot A Good Story Is Credible A Good Story Is Interesting A Good Story Is Both Simple and Complex A Good Story Handles Emotional Material with Restraint The Significance of the Title Dramatic Structure Linear, or Chronological, Structure Nonlinear Structures Endings: Fine-Tuning the Dénouement Conflict Characterization Characterization through Appearance Characterization through Dialogue Characterization through External Action Characterization through Internal Action Characterization through Reactions of Other Characters Characterization through Contrast: Dramatic Foils Characterization through Caricature and Leitmotif Characterization through Choice of Name Varieties of Characters Allegory Symbolism Universal and Natural Symbols Creating Symbolic Meanings Symbolic Patterns and Progressions Symbolic Values in Conflict Metaphors Overreading Symbolism Irony Dramatic Irony Irony of Situation Irony of Character Irony of Setting Irony of Tone Cosmic Irony Questions for Analyzing Fictional and Dramatic Elements Video Exercises Mini-Movie Exercise DVD Filmmaking Extras Films for Study 4. Visual Design Color Versus Black and White Screen Format (Aspect Ratio) Film Stock Production Design/Art Direction The Script: The Starting Point Setting and Its Effects Studio Versus Location Shooting Period Pieces Living Spaces and Offices Fantasy Worlds Costume and Makeup Design Lighting The Budget's Effect on the Film's Look Questions for Analyzing Visual Design Video Exercises Mini-Movie Exercise DVD Filmmaking Extras Films for Study 5. Cinematography The Importance of the Visual Image The Cinematic Film Cinematic Points of View Objective Point of View Subjective Point of View Indirect-Subjective Point of View Director's Interpretive Point of View Elements of Cinematic Composition Focusing Attention on the Most Significant Object Keeping the Image in Motion Creating an Illusion of Depth Specialized Cinematic Effects Handheld Camera Camera Angles Color, Diffusion, and Soft Focus Special Lenses Fast Motion Special Lighting Effects Movie Magic: Visual Effects in the Modern Film The FX of Animated Feature Films…Especially for Adults FLASHBACK: Animation Becomes the Main Event Questions for Analyzing Cinematography and Special Visual Effects Video Exercises Mini-Movie Exercise: Cinematography Mini-Movie E
Copyright Date
2008
Target Audience
College Audience
Dewey Decimal
791.43/015
Dewey Edition
23
Illustrated
Yes
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eBay item number:375430995472
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