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Beckett, Deleuze and the Televisual Event: Peephole Art by C. Gardner (English)

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eBay item number:386673309480
Last updated on May 19, 2024 08:16:14 EDTView all revisionsView all revisions

Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
ISBN-13
9781349436811
Type
Does not apply
ISBN
9781349436811
Book Title
Beckett, Deleuze and the Televisual Event : Peephole Art
Publisher
Palgrave Macmillan The Limited
Item Length
8.5 in
Publication Year
2012
Format
Trade Paperback
Language
English
Illustrator
Yes
Author
C. Gardner
Genre
Literary Criticism, Performing Arts
Topic
Television / History & Criticism, European / General, Film / History & Criticism
Item Weight
11.1 Oz
Item Width
5.5 in
Number of Pages
X, 226 Pages

About this product

Product Information

An expressive dialogue between Deleuze's philosophical writings on cinema and Beckett's innovative film and television work, the book explores the relationship between the birth of the event - itself a simultaneous invention and erasure - and Beckett's attempts to create an incommensurable space within the interstices of language as a (W)hole.

Product Identifiers

Publisher
Palgrave Macmillan The Limited
ISBN-10
134943681x
ISBN-13
9781349436811
eBay Product ID (ePID)
24038857730

Product Key Features

Book Title
Beckett, Deleuze and the Televisual Event : Peephole Art
Number of Pages
X, 226 Pages
Language
English
Publication Year
2012
Topic
Television / History & Criticism, European / General, Film / History & Criticism
Illustrator
Yes
Genre
Literary Criticism, Performing Arts
Author
C. Gardner
Format
Trade Paperback

Dimensions

Item Weight
11.1 Oz
Item Length
8.5 in
Item Width
5.5 in

Additional Product Features

Number of Volumes
1 Vol.
Lc Classification Number
Pn1993.5
Table of Content
Acknowledgements List of Plates List of Figures Introduction: Intuition/Image/Event: 'Beckett's Peephole' as Audio-Visual Rhizome Thinking the Unthinkable: Time, Cinema and the Incommensurable Beyond Percept and Affect: Beckett's Film (1964) and Non-Human Becoming From 'Dialoghorrhea' to Mental-Image: Comédie (1966), Not I (1977) & What Where (1986) Matter and Memory: The Image as Impersonal Process in Eh Joe (1966), Ghost Trio (1977), and ...but the clouds' (1977) How to Build a Desiring Machine: Quadrat I + II (1981) Video-body, Video-brain: Nacht und Träume (1983) as Tele-Visual Event Conclusion: The Incommensurable Unnameable: Beckett, Deleuze and the Birth of the Event Bibliography Notes Index
Copyright Date
2012

Item description from the seller

grandeagleretail

grandeagleretail

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