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Ford Madox Ford's Modernity (International Ford Madox Ford Studi

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Item specifics

Condition
Very Good: A book that does not look new and has been read but is in excellent condition. No obvious ...
Title
Ford Madox Ford's Modernity (International Ford Madox Ford Studi
ISBN
9789042011878
Subject Area
Literary Criticism, Social Science
Publication Name
Ford Madox Ford's Modernity
Item Length
0.9 in
Publisher
Brill
Subject
Sociology / General, Popular Culture, Modern / General
Publication Year
2003
Series
International Ford Madox Ford Studies
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
1.2 in
Author
Max Saunders
Item Width
0.6 in
Item Weight
20.2 Oz
Number of Pages
X, 313 Pages

About this product

Product Information

Ford Madox Ford's modernity explores the relation between modern writing and modern experience. It examines how his prose registers the impact on society and the arts of new technologies, such as railways and telephones. It demonstrates how Ford's writing reflects, and elaborates, new conceptions of subjectivity, gender, nation and empire. And it establishes his contribution to the growing sense of crisis in the fields of history, epistemology, and representation. It includes essays by twenty leading Ford scholars on a wide range of his fiction and criticism, giving particular attention to The Good Soldier and to his responses to modern war.

Product Identifiers

Publisher
Brill
ISBN-10
9042011874
ISBN-13
9789042011878
eBay Product ID (ePID)
119820249

Product Key Features

Author
Max Saunders
Publication Name
Ford Madox Ford's Modernity
Format
Trade Paperback
Language
English
Subject
Sociology / General, Popular Culture, Modern / General
Publication Year
2003
Series
International Ford Madox Ford Studies
Type
Textbook
Subject Area
Literary Criticism, Social Science
Number of Pages
X, 313 Pages

Dimensions

Item Length
0.9 in
Item Height
1.2 in
Item Width
0.6 in
Item Weight
20.2 Oz

Additional Product Features

Series Volume Number
2
Reviews
" The Good Soldier and Parade's End provide the focus for many of the essays but there are ... valuable accounts of some of his less well-known works'; 'a brilliantly suggestive reading of ' Parade's End '; 'The essays which take as their starting point Ford's engagement with the condition of modernity show the same deftness by combining their analyses of the material transformations of modernity with formal and stylistic questions." - Alistair Davies, in: English Literature in Transition , 48:4 (2005), 482-5 "Ford emerges from this fine collection of essays as a maverick yet paradoxical figure: the Tory gentleman and the radical anarchist, the custodian of the established order and the subversive analyst of class and gender, the insouciant cosmopolite and the probing eco-critic, the nostalgic celebrant of Englishness and the transnational writer who cannot help but ironize the falsehoods and fabrications by which national identity is produced." - Julian Cowley, Year's Work in English Studies (2006), 744-835, " The Good Soldier and Parade's End provide the focus for many of the essays but there are ... valuable accounts of some of his less well-known works'; 'a brilliantly suggestive reading of ' Parade's End '; 'The essays which take as their starting point Ford's engagement with the condition of modernity show the same deftness by combining their analyses of the material transformations of modernity with formal and stylistic questions." - Alistair Davies, in: English Literature in Transition , 48:4 (2005), 482-5"Ford emerges from this fine collection of essays as a maverick yet paradoxical figure: the Tory gentleman and the radical anarchist, the custodian of the established order and the subversive analyst of class and gender, the insouciant cosmopolite and the probing eco-critic, the nostalgic celebrant of Englishness and the transnational writer who cannot help but ironize the falsehoods and fabrications by which national identity is produced." - Julian Cowley, Year's Work in English Studies (2006), 744-835
Table of Content
Epigraphs Max SAUNDERS: General Editor's Preface Sir Frank KERMODE: Foreword Max SAUNDERS: Introduction I: CONDITIONS OF MODERNITY: TECHNOLOGY, GENDER, AND THE CITY Philip HORNE: Absent-Mindedness: Ford on the Phone Sara HASLAM: Ford's Training Giovanni CIANCI: Three memories of a Night: Ford's Impressionism in the Great London Vortex Robin PEEL: Ford and the Simple Life: Gender, Subjectivity and Class in a Satirized Utopia II: THE GOOD SOLDIER: DESlRE, TEXT, AND HISTORY Davida PINES: Irony and the Marriage Plot in The Good Soldier Caroline PATEY: Empire, Ethnology and The Good Soldier Sally BACHNER: 'The Seeing Eye': Detection, Perception and Erotic Knowledge in The Good Soldier Roger POOLE: The Unknown Ford Madox Ford Martin STANNARD: The Good Soldier : Editorial Problems Bernard BERGONZI: Fiction and History: Rereading The Good Soldier III: FORD, THE WAR AND THE POST-WAR: ENGLISHNESS, SOCIETY, HISTORY Dennis BROWN: Remains of the Day: Tietjens the Englishman Robert L. CASERIO: Ford's and Kipling's Modernist Imagination of Public VirtueCornelia COOK: Constructions and Reconstructions: No EnemyIV: FORD AND MODERN WRITING: BIOGRAPHY, INTERTEXTUALITY, AND STYLE Joseph WIESENFARTH: Ford Madox Ford, Violet Hunt, and the Battle of the Books: SexuaI/Textual Hostilities Ros PESMAN: 'Drawn From Life': Stella Bowen and Ford Madox Ford Elena LAMBERTI: Ford Madox Ford and Ernest Hemingway in the Literary Arena of Paris, 1924 W.B. HUTCHINGS: Ford and Maupassant Vita FORTUNATI: The epistemological malaise of the narrator character in Ford, Conrad, Pirandello and Svevo Paul SKINNER: Ford Madox Ford and the Unnoticeable Things The Contributors Abbreviations
Copyright Date
2003
Target Audience
Scholarly & Professional
Dewey Decimal
823.912
Dewey Edition
22

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