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Rosalind E. Krauss Passages in Modern Sculpture (Paperback) (UK IMPORT)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
Passages in Modern Sculpture
Publication Name
Passages in Modern Sculpture
Title
Passages in Modern Sculpture
Author
Rosalind E. Krauss
Format
Trade Paperback
ISBN-10
0262610337
EAN
9780262610339
ISBN
9780262610339
Publisher
MIT Press
Genre
Design, Art
Release Year
1981
Release Date
26/02/1981
Language
English
Country/Region of Manufacture
US
Item Height
0.8in
Item Length
9.3in
Item Width
6.1in
Item Weight
19.6 Oz
Publication Year
1981
Topic
Sculpture & Installation, General
Number of Pages
320 Pages

About this product

Product Information

Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.

Product Identifiers

Publisher
MIT Press
ISBN-10
0262610337
ISBN-13
9780262610339
eBay Product ID (ePID)
87983

Product Key Features

Book Title
Passages in Modern Sculpture
Author
Rosalind E. Krauss
Format
Trade Paperback
Language
English
Topic
Sculpture & Installation, General
Publication Year
1981
Genre
Design, Art
Number of Pages
320 Pages

Dimensions

Item Length
9.3in
Item Height
0.8in
Item Width
6.1in
Item Weight
19.6 Oz

Additional Product Features

Lc Classification Number
Nb198.K69 1981
Grade from
College Graduate Student
Reviews
The book is well illustrated in black and white and is, for an art book, of a convenient and manageable size. The text is rigorously formalistic and analytical and organized around specific sculptural considerations such as the treatment of narrative time, the handling of space, and the game strategies of surrealist sculpture. It is an approach that pays off particularly well in the author's discussions of Rodin and David Smith., Distinguished art historian and critic Rosalind Krauss analyzes with exceptional clarity and insight the major works that have led 20th century sculpture from the traditional and figurative to the revolutionary conceptual art of the 1970s -- an art which has developed a new 'syntax' that discards 'narrative' for instantaneous impact and boldly breaks new ground. Beginning with a penetrating study of Rodin's modernity in rejecting 'narrative' in his 'The Gates of Hell,' she moves successively through detailed examinations of futurism, constructivism, Duchamps' 'readymades,' Brancusi, David Smith's 'Tanktotem,' sculptural realism, and the introduction of light, motion, and theatrical elements into sculpture by Picabia, Calder, Oldenburg, and others right up to younger sculptors like Carl Andre, Blochner, and others [including Robert Morris, Don Judd, Richard Serra, Sol Le Witt, Robert Smithson, and Michael Heizer]. As critic and theorist, Krauss makes demands that will challenge even the most sophisticated., Distinguished art historian and critic Rosalind Krauss analyzes with exceptional clarity and insight the major works that have led 20th century sculpture from the traditional and figurative to the revolutionary conceptual art of the 1970s--an art which has developed a new 'syntax' that discards 'narrative' for instantaneous impact and boldly breaks new ground. Beginning with a penetrating study of Rodin's modernity in rejecting 'narrative' in his 'The Gates of Hell,' she moves successively through detailed examinations of futurism, constructivism, Duchamps' 'readymades,' Brancusi, David Smith's 'Tanktotem,' sculptural realism, and the introduction of light, motion, and theatrical elements into sculpture by Picabia, Calder, Oldenburg, and others right up to younger sculptors like Carl Andre, Blochner, and others [including Robert Morris, Don Judd, Richard Serra, Sol Le Witt, Robert Smithson, and Michael Heizer]. As critic and theorist, Krauss makes demands that will challenge even the most sophisticated., Distinguished art historian and critic Rosalind Krauss analyzes with exceptional clarity and insight the major works that have led 20th century sculpture from the traditional and figurative to the revolutionary conceptual art of the 1970s--an art which has developed a new 'syntax' that discards 'narrative' for instantaneous impact and boldly breaks new ground. Beginning with a penetrating study of Rodin's modernity in rejecting 'narrative' in his 'The Gates of Hell,' she moves successively through detailed examinations of futurism, constructivism, Duchamps' 'readymades,' Brancusi, David Smith's 'Tanktotem,' sculptural realism, and the introduction of light, motion, and theatrical elements into sculpture by Picabia, Calder, Oldenburg, and others right up to younger sculptors like Carl Andre, Blochner, and others [including Robert Morris, Don Judd, Richard Serra, Sol Le Witt, Robert Smithson, and Michael Heizer]. As critic and theorist, Krauss makes demands that will challenge even the most sophisticated.-- Publishers Weekly -- ...Krauss's book is undoubtedly the best treatment of its subject yet written. As a textbook, it ought to raise the level of discourse in art history classes, for it is the meaning, not the chronology, of sculpture since Rodin that is the book's central concern. Krauss avoids the conventional plodding survey and divides the book into a sequence of 'case studies' that permit sustained attention to specific works and artists. In so doing, she attempts to trace a 'tradition' to stand behind that portion of American sculpture of the past 15 years which she espouses critically. -- Art in America -- The book is well illustrated in black and white and is, for an art book, of a convenient and manageable size. The text is rigorously formalistic and analytical and organized around specific sculptural considerations such as the treatment of narrative time, the handling of space, and the game strategies of surrealist sculpture. It is an approach that pays off particularly well in the author's discussions of Rodin and David Smith. -- Saturday Review --, "Distinguished art historian and critic Rosalind Krauss analyzes with exceptional clarity and insight the major works that have led 20th century sculpture from the traditional and figurative to the revolutionary conceptual art of the 1970s-an art which has developed a new 'syntax' that discards 'narrative' for instantaneous impact and boldly breaks new ground. Beginning with a penetrating study of Rodin's modernity in rejecting 'narrative' in his 'The Gates of Hell,' she moves successively through detailed examinations of futurism, constructivism, Duchamps' 'readymades,' Brancusi, David Smith's 'Tanktotem,' sculptural realism, and the introduction of light, motion, and theatrical elements into sculpture by Picabia, Calder, Oldenburg, and others right up to younger sculptors like Carl Andre, Blochner, and others [including Robert Morris, Don Judd, Richard Serra, Sol Le Witt, Robert Smithson, and Michael Heizer]. As critic and theorist, Krauss makes demands that will challenge even the most sophisticated." -Publishers Weekly, ...Krauss's book is undoubtedly the best treatment of its subject yet written. As a textbook, it ought to raise the level of discourse in art history classes, for it is the meaning, not the chronology, of sculpture since Rodin that is the book's central concern. Krauss avoids the conventional plodding survey and divides the book into a sequence of 'case studies' that permit sustained attention to specific works and artists. In so doing, she attempts to trace a 'tradition' to stand behind that portion of American sculpture of the past 15 years which she espouses critically.
Copyright Date
1977
Lccn
80-020453
Dewey Decimal
735/.29
Intended Audience
Trade
Dewey Edition
18
Illustrated
Yes

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