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Dan Dietz The Complete Book of 2000s Broadway Musicals (Hardback) (UK IMPORT)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
Complete Book of 2000s Broadway Musicals
Publication Name
The Complete Book of 2000s Broadway Musicals
Title
The Complete Book of 2000s Broadway Musicals
Author
Dan Dietz
Format
Hardcover
ISBN-10
1442278005
EAN
9781442278004
ISBN
9781442278004
Publisher
Rowman & Littlefield Publishers, Incorporated
Genre
Music, Performing Arts
Release Date
15/05/2017
Release Year
2017
Country/Region of Manufacture
US
Item Height
1.5in
Item Length
11.3in
Item Width
8.8in
Item Weight
0.1 Oz
Language
English
Publication Year
2017
Topic
Theater / Broadway & Musicals, Genres & Styles / Musicals, Reference
Number of Pages
514 Pages

About this product

Product Information

In this book, Dan Dietz examines in detail every musical that opened on Broadway during the 2000s, including Avenue Q, Billy Elliott, The Full Monty, In the Heights, Jersey Boys, Mary Poppins, Next to Normal, The Producers, Rock of Ages, Spamalot, Spring Awakening, The 25th Annual Putnam County Spelling Bee, Urinetown, and Xanadu.

Product Identifiers

Publisher
Rowman & Littlefield Publishers, Incorporated
ISBN-10
1442278005
ISBN-13
9781442278004
eBay Product ID (ePID)
237656727

Product Key Features

Book Title
Complete Book of 2000s Broadway Musicals
Author
Dan Dietz
Format
Hardcover
Language
English
Topic
Theater / Broadway & Musicals, Genres & Styles / Musicals, Reference
Publication Year
2017
Genre
Music, Performing Arts
Number of Pages
514 Pages

Dimensions

Item Length
11.3in
Item Height
1.5in
Item Width
8.8in
Item Weight
0.1 Oz

Additional Product Features

Lc Classification Number
Ml1711.8.N3d535 2017
Reviews
The latest in Dietz's excellent series covers the 213 musicals that opened on (or were set to open on) Broadway between 2000 and 2009, from the familiar (Avenue Q, Spamalot) to the obscure (Casper, which didn't make it out of the preview tour). The technical details for each production include opening and closing dates; number of performances; names of the writers, composers, directors, and casts; and a brief description. This is followed by a full listing of the musical numbers and a narrative (ranging from one to three pages) about the show. There are eight appendixes, including a chronology by season; a chronology by classification; and a list of shows by theater. Recommended for medium-sized and large public library reference collections as well as academic libraries supporting performing-arts programs., The seventh and most recent in a series of 'Complete Books of Broadway Musicals,' which started with the 1940s, this volume is comprehensive in coverage, including summaries and information such as each show's personnel, dates, number of performances, known changes, other productions, etc. In these respects, and with the book's organization, series author Deitz (emeritus, composition, world literature, & modern drama, Western Carolina Univ.) succeeds.... Incorporating quotes from the major reviews of the time is both warranted and valuable.... Verdict...[T]heater buffs with eagerly read this volume cover to cover.... [O]wing to the well-organized information and amount of detail, this offering merits addition to theater collections., The 2000s brought in a spate of tongue-in-cheek musicals such as Urinetown and The Drowsy Chaperone that make fun of Broadway conventions and perhaps signal the passing of an era compared to the family-friendly shows of the 1990s. Dietz continues his detailed encyclopedic series of Broadway histories--he has already covered 1940 through 1999--with this volume, which largely chronicles the lack of quality in new scores and book musicals as a genre. The 213 featured revues and musicals (compared to 271 listed in the volume treating the 1960s) include 37 with new music, 15 with preexisting scores, 25 imports, 31 revivals, and 30 pre-Broadway closings. As in the earlier volumes, Dietz gives plot summaries, casts and crews, run dates, critical commentary, musical numbers and performers, source material, awards and nominations, and other pertinent data. Nine useful appendixes conclude the volume. Dietz does not hold back his own opinions, and readers might find themselves disagreeing with his analyses, but his and other critics' comments make for a highly enjoyable, sometimes hilarious complement to the narratives. All musical theater collections and Broadway fans ought to add this new edition to their collections, along with the previous volumes in the series.Summing Up: Highly recommended. All readership levels.
Copyright Date
2017
Target Audience
Trade
Lccn
2016-049522

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