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Eleanor Andrews Place, Setting, Perspective (Paperback) (UK IMPORT)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
Place, Setting, Perspective
Publication Name
Place, Setting, Perspective : Narrative Space in the Films of Nanni Moretti
Title
Place, Setting, Perspective
Subtitle
Narrative Space in the Films of Nanni Moretti
Author
Eleanor Andrews
Format
Trade Paperback
ISBN-10
1611477638
EAN
9781611477634
ISBN
9781611477634
Publisher
Fairleigh Dickinson University Press
Genre
Literary Criticism
Topic
Films & TV
Release Date
07/06/2016
Release Year
2016
Language
English
Country/Region of Manufacture
US
Item Height
0.8in
Item Length
8.9in
Item Width
6in
Item Weight
13.5 Oz
Publication Year
2016
Type
Textbook
Number of Pages
226 Pages

About this product

Product Information

Place, Setting, Perspective examines the films of the Italian filmmaker, Nanni Moretti, from a fresh viewpoint, employing the increasingly significant research area of space within a filmic text. The book is conceived with the awareness that space cannot be studied only in aesthetic or narrative terms: social, political, and cultural aspects of narrated spaces are equally important if a thorough appraisal is to be achieved of an oeuvre such as Moretti's, which is profoundly associated with socio-political commentary and analysis. After an exploration of various existing frameworks of narrative space in film, the book offers a particular definition of the term based on the notions of Place, Setting, and Perspective. Place relates to the physical aspect of narrative space and specifically involves cityscapes, landscapes, interiors, and exteriors in the real world. Setting concerns genre characteristics of narrative space, notably its differentiated use in melodrama, detective stories, fantasy narratives, and gender based scenarios. Perspective encompasses the point of view taken optically by the camera which supports the standpoint of Moretti's personal philosophy expressed through the aesthetic aspects which he employs to create narrative space. The study is based on a close textual analysis of Moretti's eleven major feature films to date, using the formal film language of mise-en-scène, cinematography, editing, and sound. The aim is to show how Moretti selects, organizes, constructs, assembles, and manipulates the many elements of narrative space into an entire work of art, to enable meanings and pleasures for the spectator.

Product Identifiers

Publisher
Fairleigh Dickinson University Press
ISBN-10
1611477638
ISBN-13
9781611477634
eBay Product ID (ePID)
228598730

Product Key Features

Author
Eleanor Andrews
Publication Name
Place, Setting, Perspective : Narrative Space in the Films of Nanni Moretti
Format
Trade Paperback
Language
English
Publication Year
2016
Type
Textbook
Number of Pages
226 Pages

Dimensions

Item Length
8.9in
Item Height
0.8in
Item Width
6in
Item Weight
13.5 Oz

Additional Product Features

Lc Classification Number
Pn1998.3.M67a53 2016
Reviews
Nanni Moretti's films are not as well known in the US as they should be. His is an important body of work that follows in the footsteps of the great Italian neorealists and French New Wave filmmaker Eric Rohmer. Moretti (b. 1953) is much better known and acclaimed in his native Italy and across Europe, but this study by Andrews should bring more American viewers to his work. Andrews's book, which grew from her dissertation, is only the second on Moretti available in English--after Ewa Mazierska and Laura Rascaroli's The Cinema of Nanni Moretti(CH, Dec'04, 42-2112)--and it does much to advance the scholarship on this director. As the title indicates, Andrews focuses on the significance of spaces in Moretti's films. . . .Andrews organized her discussion around the different kinds of spaces--interior, exterior, thresholds, domestic, and so on--in the films and the relationships between spaces and themes and characters. Particularly strong are the chapters on Moretti's cinematic narrators as connected to perspective and on Moretti's use of different settings and their connections to film genre. Summing Up: Recommended. Graduate students, researchers, faculty, professionals., Nanni Moretti's films are not as well known in the US as they should be. His is an important body of work that follows in the footsteps of the great Italian neorealists and French New Wave filmmaker Eric Rohmer. Moretti (b. 1953) is much better known and acclaimed in his native Italy and across Europe, but this study by Andrews should bring more American viewers to his work. Andrews's book, which grew from her dissertation, is only the second on Moretti available in English--after Ewa Mazierska and Laura Rascaroli's The Cinema of Nanni Moretti (CH, Dec'04, 42-2112)--and it does much to advance the scholarship on this director. As the title indicates, Andrews focuses on the significance of spaces in Moretti's films. . . .Andrews organized her discussion around the different kinds of spaces--interior, exterior, thresholds, domestic, and so on--in the films and the relationships between spaces and themes and characters. Particularly strong are the chapters on Moretti's cinematic narrators as connected to perspective and on Moretti's use of different settings and their connections to film genre. Summing Up: Recommended. Graduate students, researchers, faculty, professionals.
Table of Content
Acknowledgments Clarifications List of Figures Chapter One: Introduction Part One: Place Chapter Two: Nearly All Roads Lead To Rome Chapter Three: Battling With Nature Chapter Four: Inside Chapter Five: Outside Part Two: Setting Chapter Six: Laughter and Tears Chapter Seven: The Scene of the Crime Chapter Eight: Sweet Dreams? Chapter Nine: Whose Space Is It Anyway? Part Three: Perspective Chapter Ten: Inside and Outside the Frame Chapter Eleven: A Certain Point of View Chapter Twelve: An Artist at Work Filmography Bibliography
Copyright Date
2014
Topic
Film / General, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism, European / Italian
Dewey Decimal
791.43023/3092
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Literary Criticism, Performing Arts

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