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Anna Dezeuze The 'Do-It-Yourself' Artwork (Hardback) (UK IMPORT)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
'do-It-Yourself' Artwork : Participation from Fluxus to New Media
Publication Name
The 'Do-It-Yourself' Artwork
Title
The 'Do-It-Yourself' Artwork
EAN
9780719081446
ISBN
9780719081446
Publisher
Manchester University Press
Format
Hardcover
Release Year
2010
Release Date
13/04/2010
Item Height
0.8 in
Item Length
9.2 in
Contributor
Anna Dezeuze (Edited by)
Author
Anna Dezeuze
Language
English
Subtitle
Participation from Fluxus to New Media
ISBN-10
0719081440
Country/Region of Manufacture
GB
Genre
Art
Series
Rethinking Art's Histories
Item Width
6.1 in
Book Series
Rethinking Art's Histories Ser.
Publication Year
2010
Illustrator
Yes
Topic
History / Contemporary (1945-), Criticism & Theory, Performance, History / General
Item Weight
29.1 Oz
Number of Pages
328 Pages

About this product

Product Identifiers

Publisher
Manchester University Press
ISBN-10
0719081440
ISBN-13
9780719081446
eBay Product ID (ePID)
78651511

Product Key Features

Book Title
'do-It-Yourself' Artwork : Participation from Fluxus to New Media
Number of Pages
328 Pages
Language
English
Publication Year
2010
Topic
History / Contemporary (1945-), Criticism & Theory, Performance, History / General
Illustrator
Yes
Genre
Art
Author
Anna Dezeuze
Book Series
Rethinking Art's Histories Ser.
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
29.1 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Trade
LCCN
2010-282561
Dewey Edition
22
Dewey Decimal
702.8/1
Table Of Content
Anna Dezeuze: What the do-it-yourself artwork can do for you PART I: PARTICIPATION IN CONTEXT Anna Dezeuze: "Open work," "do-it-yourself artwork," and bricolage Judith Rodenbeck: "creative acts of consumption" or, death in Venice Arnauld Pierre: Instability: the visual/bodily perception of space in kinetic environments Guy Brett: 3 Pioneers PART II: PERFORMING PARTICIPATION Catherine Wood: The rules of engagement: Displaced figuration in Robert Morris's sculpture Frazer Ward: Marina Abramovic: Approaching zero Amelia Jones: Space, body and the self in the work of Bruce Nauman Janet Kraynak: Tiravanija's liability Jennifer Gonzalez: the face and the public: Race, secrecy and digital art practice PART III: ANALYSING PARTICIPATION Anna Dezeuze: Play, ritual and politics: Transitional artworks in the 1960s Christian Kravagna: Working on the community: Models of participatory practice Miwon Kwon: Exchange and reciprocity in some art of the 1960s and after Claire Bishop: Antagonism and Relational Aesthetics Beryl Graham: What kind of participative system? Critical vocabularies from new media art Index
Synopsis
Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts., Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.'Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts. -- ., What happens when you touch or enter an artwork instead of looking at it? As artists since the 1950s have increasingly sought to involve viewers more actively in their artworks, this critical anthology sheds light on the nature of these new forms of participation and their historical, social and political significance. -- .
LC Classification Number
N6494.I57
ebay_catalog_id
4
Copyright Date
2010

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