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Catherine E. McKinley The African Lookbook (Hardback) (UK IMPORT)
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Item specifics
- Condition
- Book Title
- African Lookbook : a Visual History of 100 Years of African Women
- Publication Name
- The African Lookbook
- Title
- The African Lookbook
- Subtitle
- A Visual History of 100 Years of African Women
- Contributor
- Edwidge Danticat (Foreword by)
- Format
- Hardcover
- ISBN-10
- 1620403536
- EAN
- 9781620403532
- ISBN
- 9781620403532
- Publisher
- Bloomsbury Publishing
- Genre
- Photography, Art, History, Social Science
- Topic
- Women, Subjects & Themes / Portraits & Selfies, Subjects & Themes / Portraits, Africa / General, Women's Studies
- Release Date
- 22/04/2021
- Release Year
- 2021
- Language
- English
- Country/Region of Manufacture
- US
- Item Weight
- 25 oz
- Item Length
- 9.1in
- Publication Year
- 2021
- Item Height
- 1in
- Item Width
- 6.9in
- Number of Pages
- 240 Pages
About this product
Product Information
Winner of the African Photobook of the Year Award A Choice Outstanding Title of the Year A USA Today "Must-Read for Black History Month" An NPR "Goats and Soda" Editors' Pick A BookRiot Favorite Nonfiction Book of the Year
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1620403536
ISBN-13
9781620403532
eBay Product ID (ePID)
7038457218
Product Key Features
Book Title
African Lookbook : a Visual History of 100 Years of African Women
Format
Hardcover
Language
English
Topic
Women, Subjects & Themes / Portraits & Selfies, Subjects & Themes / Portraits, Africa / General, Women's Studies
Publication Year
2021
Genre
Photography, Art, History, Social Science
Number of Pages
240 Pages
Dimensions
Item Length
9.1in
Item Height
1in
Item Width
6.9in
Item Weight
25 oz
Additional Product Features
Lc Classification Number
Tr681.A33
Reviews
"How lucky we are that Catherine McKinley has collected this exquisite series of photographs from all corners of the African continent . . . proof of the range of beauty and elegance the world was otherwise telling us we could not possess." -- Edwidge Danticat, from the Introduction ""Aunty!" . . . reveals photography's role as a tool or weapon when investigating identity and empowerment." -- New York Times on AUNTY! "[McKinley's] discoveries resonate, and her unique experiences provide a vivid snapshot of the cultures she encountered in Africa." -- The Washington Post on INDIGO "Gorgeous." -- Los Angeles Times on INDIGO "An eye-opening account of the controversial role this gorgeous, coveted pigment has played through the millennia." -- Elle on INDIGO, McKinley's collection thus provides a refreshing new look at the visual history of African women. In choosing to collect images that exclusively contained female subjects, we are given a new, more in-depth look at the history of women on the continent and can trace the way visual narratives change and adapt with the times, especially in the context of decolonization. Rich with anecdotes and untold narratives, The African Lookbook is a valuable and exciting trove of feminine history on the African continent., An eye-opening account of the controversial role this gorgeous, coveted pigment has played through the millennia., From young girls in Mali wearing 'hot' outfits beneath attire deemed respectable by Muslim culture to women defying Western Christianity by wearing traditional African attire to church, McKinley focuses on the ways in which fashion is a form of protest and resistance, preserving history in 'more resilient and revealing' ways than any other. The African Lookbook is an exquisite collection of African photographs and stories bearing witness to the power and grace of African women., McKinley sheds light on the erasure and resilience of African women image-makers. The African Lookbook reads like a collective photo album with critical captions accompanying a trove of rare archival, vintage, vernacular, and contemporary images. McKinley draws attention to power dynamics, consent, subversion, and identity, examining the lives of African women 'in the pursuit of modernity and resistance to colonialism and gender violence.' She unearths and dissects the grave imbalances that have long plagued African visual archives., "McKinley expertly guides readers through a history lesson of the ways fashion in these countries is connected with colonialism, industrialization and numerous traditions and styles of dressing . . . McKinley delicately reminds us that African traditions, styles, creations and the people themselves -- with their many layers and differences -- don't need to come from fictional kingdoms like Zamunda or Wakanda to deserve attention. The real, everyday beauty of Africa is worth canonizing beyond the continent." - New York Times Book Review "The curator draws on her collection of historical and contemporary photographs of African girls and women for a striking visual history spanning decades." - USA Today, "5 Books not to Miss" "Black is beautiful--no matter what era or geographical region. This historical photography collection depicts that truth stunningly, telling the visual and textual story of African women living on the motherland between 1870 and 1970. Curator Catherine E. McKinley sheds light on their style, relationship dynamics, and the ways they've defeated colonial oppression to flourish on their own, presenting a hardcover that portrays Black women with dignity." - LEVEL " The African Lookbook captures the dignity, grandeur, austerity and liveliness of African women across the century through images curated from celebrated African masters, studios and anonymous artists." - The Root "[A] richly detailed and immersive visual history . . . Packed with arresting images and incisive analysis, this well-conceived survey tells a powerful story of African liberation." - Publishers Weekly "From young girls in Mali wearing 'hot' outfits beneath attire deemed respectable by Muslim culture to women defying Western Christianity by wearing traditional African attire to church, McKinley focuses on the ways in which fashion is a form of protest and resistance, preserving history in 'more resilient and revealing' ways than any other. The African Lookbook is an exquisite collection of African photographs and stories bearing witness to the power and grace of African women." - Booklist "[A] bold act of reclaiming. Here, in photographs and lyrical prose, McKinley defies Western stereotypes about African women." - The Millions "A Year in Reading: Nadia Owusu" "How lucky we are that Catherine McKinley has collected this exquisite series of photographs from all corners of the African continent . . . proof of the range of beauty and elegance the world was otherwise telling us we could not possess." - Edwidge Danticat, from the Introduction "As I slowly moved through the stunningly beautiful pages of The African Lookbook , I found myself being transported by the glorious photographs Catherine McKinley has collected. . . . We took and continue to take the skin, the pain, the fabric, the tools we have. And with all of this--as Catherine McKinley has done here--we make something as beautiful as our own selves." - Jacqueline Woodson, from the Foreword "Aunty!" . . . reveals photography's role as a tool or weapon when investigating identity and empowerment." - New York Times on AUNTY!, "The curator draws on her collection of historical and contemporary photographs of African girls and women for a striking visual history spanning decades." - USA Today, "5 Books not to Miss" "[A] richly detailed and immersive visual history . . . Packed with arresting images and incisive analysis, this well-conceived survey tells a powerful story of African liberation." - Publishers Weekly "From young girls in Mali wearing 'hot' outfits beneath attire deemed respectable by Muslim culture to women defying Western Christianity by wearing traditional African attire to church, McKinley focuses on the ways in which fashion is a form of protest and resistance, preserving history in 'more resilient and revealing' ways than any other. The African Lookbook is an exquisite collection of African photographs and stories bearing witness to the power and grace of African women." - Booklist "[A] bold act of reclaiming. Here, in photographs and lyrical prose, McKinley defies Western stereotypes about African women." - The Millions "A Year in Reading: Nadia Owusu" "How lucky we are that Catherine McKinley has collected this exquisite series of photographs from all corners of the African continent . . . proof of the range of beauty and elegance the world was otherwise telling us we could not possess." - Edwidge Danticat, from the Introduction "As I slowly moved through the stunningly beautiful pages of The African Lookbook , I found myself being transported by the glorious photographs Catherine McKinley has collected. . . . We took and continue to take the skin, the pain, the fabric, the tools we have. And with all of this--as Catherine McKinley has done here--we make something as beautiful as our own selves." - Jacqueline Woodson, from the Foreword "Aunty!" . . . reveals photography's role as a tool or weapon when investigating identity and empowerment." - New York Times on AUNTY! "[McKinley's] discoveries resonate, and her unique experiences provide a vivid snapshot of the cultures she encountered in Africa." - The Washington Post on INDIGO "Gorgeous." - Los Angeles Times on INDIGO "An eye-opening account of the controversial role this gorgeous, coveted pigment has played through the millennia." - Elle on INDIGO, Our mothers are our source. Similarly, the 'Motherland' is the source of what we come to know as Blackness in America. That's why Catherine McKinley's The African Lookbook is a welcome bridge across the diaspora. . . . The African Lookbook is an ode to Black womanhood on the continent, and an ideal way to bring the Motherland to your mother., Black is beautiful--no matter what era or geographical region. This historical photography collection depicts that truth stunningly, telling the visual and textual story of African women living on the motherland between 1870 and 1970. Curator Catherine E. McKinley sheds light on their style, relationship dynamics, and the ways they've defeated colonial oppression to flourish on their own, presenting a hardcover that portrays Black women with dignity., [A] richly detailed and immersive visual history . . . Packed with arresting images and incisive analysis, this well-conceived survey tells a powerful story of African liberation., "How lucky we are that Catherine McKinley has collected this exquisite series of photographs from all corners of the African continent . . . proof of the range of beauty and elegance the world was otherwise telling us we could not possess." -- Edwidge Danticat, from the Introduction "As I slowly moved through the stunningly beautiful pages of The African Lookbook , I found myself being transported by the glorious photographs Catherine Mckinley has collected. . . . We took and continue to take the skin, the pain, the fabric, the tools we have. And with all of this - as Catherine McKinley has done here - we make something as beautiful as our own selves." -- Jacqueline Woodson, from the Foreword ""Aunty!" . . . reveals photography's role as a tool or weapon when investigating identity and empowerment." -- New York Times on AUNTY! "[McKinley's] discoveries resonate, and her unique experiences provide a vivid snapshot of the cultures she encountered in Africa." -- The Washington Post on INDIGO "Gorgeous." -- Los Angeles Times on INDIGO "An eye-opening account of the controversial role this gorgeous, coveted pigment has played through the millennia." -- Elle on INDIGO, The African Lookbook --which weaves together historical photos and McKinley's own research and musings--offers an encapsulation of, and a window into, the rich history of West African photography--and the women who were at the center of the frame., How lucky we are that Catherine McKinley has collected this exquisite series of photographs from all corners of the African continent . . . proof of the range of beauty and elegance the world was otherwise telling us we could not possess., ""Aunty!" . . . reveals photography's role as a tool or weapon when investigating identity and empowerment." -- New York Times on AUNTY! "[McKinley's] discoveries resonate, and her unique experiences provide a vivid snapshot of the cultures she encountered in Africa." -- The Washington Post on INDIGO "Gorgeous." -- Los Angeles Times on INDIGO "An eye-opening account of the controversial role this gorgeous, coveted pigment has played through the millennia." -- Elle on INDIGO "How lucky we are that Catherine McKinley has collected this exquisite series of photographs from all corners of the African continent . . . proof of the range of beauty and elegance the world was otherwise telling us we could not possess." -- Edwidge Danticat, from the Introduction, "How lucky we are that Catherine McKinley has collected this exquisite series of photographs from all corners of the African continent . . . proof of the range of beauty and elegance the world was otherwise telling us we could not possess." -- Edwidge Danticat, from the Introduction "As I slowly moved through the stunningly beautiful pages of The African Lookbook , I found myself being transported by the glorious photographs Catherine McKinley has collected. . . . We took and continue to take the skin, the pain, the fabric, the tools we have. And with all of this--as Catherine McKinley has done here--we make something as beautiful as our own selves." -- Jacqueline Woodson, from the Foreword ""Aunty!" . . . reveals photography's role as a tool or weapon when investigating identity and empowerment." -- New York Times on AUNTY! "[McKinley's] discoveries resonate, and her unique experiences provide a vivid snapshot of the cultures she encountered in Africa." -- The Washington Post on INDIGO "Gorgeous." -- Los Angeles Times on INDIGO "An eye-opening account of the controversial role this gorgeous, coveted pigment has played through the millennia." -- Elle on INDIGO, "[A] richly detailed and immersive visual history . . . Packed with arresting images and incisive analysis, this well-conceived survey tells a powerful story of African liberation." -- Publishers Weekly "How lucky we are that Catherine McKinley has collected this exquisite series of photographs from all corners of the African continent . . . proof of the range of beauty and elegance the world was otherwise telling us we could not possess." -- Edwidge Danticat, from the Introduction "As I slowly moved through the stunningly beautiful pages of The African Lookbook , I found myself being transported by the glorious photographs Catherine McKinley has collected. . . . We took and continue to take the skin, the pain, the fabric, the tools we have. And with all of this--as Catherine McKinley has done here--we make something as beautiful as our own selves." -- Jacqueline Woodson, from the Foreword ""Aunty!" . . . reveals photography's role as a tool or weapon when investigating identity and empowerment." -- New York Times on AUNTY! "[McKinley's] discoveries resonate, and her unique experiences provide a vivid snapshot of the cultures she encountered in Africa." -- The Washington Post on INDIGO "Gorgeous." -- Los Angeles Times on INDIGO "An eye-opening account of the controversial role this gorgeous, coveted pigment has played through the millennia." -- Elle on INDIGO, As I slowly moved through the stunningly beautiful pages of The African Lookbook , I found myself being transported by the glorious photographs Catherine Mckinley has collected. . . . We took and continue to take the skin, the pain, the fabric, the tools we have. And with all of this - as Catherine McKinley has done here - we make something as beautiful as our own selves., [McKinley's] discoveries resonate, and her unique experiences provide a vivid snapshot of the cultures she encountered in Africa., McKinley expertly guides readers through a history lesson of the ways fashion in these countries is connected with colonialism, industrialization and numerous traditions and styles of dressing . . . McKinley delicately reminds us that African traditions, styles, creations and the people themselves -- with their many layers and differences -- don't need to come from fictional kingdoms like Zamunda or Wakanda to deserve attention. The real, everyday beauty of Africa is worth canonizing beyond the continent., The African Lookbook captures the dignity, grandeur, austerity and liveliness of African women across the century through images curated from celebrated African masters, studios and anonymous artists., ""Aunty!" . . . reveals photography's role as a tool or weapon when investigating identity and empowerment." -- New York Times on AUNTY! "[McKinley's] discoveries resonate, and her unique experiences provide a vivid snapshot of the cultures she encountered in Africa." -- The Washington Post on INDIGO "Gorgeous." -- Los Angeles Times on INDIGO "An eye-opening account of the controversial role this gorgeous, coveted pigment has played through the millennia." -- Elle on INDIGO, What McKinley offers in this compelling, quixotic book is something closer to a testament--a bold declaration of the enduring strength, beauty and power of African women, many of whom gaze at the camera with evident self-possession. The African Lookbook is a pleasure to absorb, whether you already know about the history of photography on the African continent or are new to the conversation., In the fashion world, a "lookbook" is a collection of photos highlighting, say, a fashion designer's work or a fashion model. The African Lookbook has a different agenda: images that present a stereotype-busting way to look at African women, their relationship with fashion -- and their ability to turn the sewing machine from a tool synonymous with toil, lack of choice and oppression into a means for them to achieve economic power., As I slowly moved through the stunningly beautiful pages of The African Lookbook , I found myself being transported by the glorious photographs Catherine McKinley has collected. . . . We took and continue to take the skin, the pain, the fabric, the tools we have. And with all of this--as Catherine McKinley has done here--we make something as beautiful as our own selves., [A] bold act of reclaiming. Here, in photographs and lyrical prose, McKinley defies Western stereotypes about African women., "[A] richly detailed and immersive visual history . . . Packed with arresting images and incisive analysis, this well-conceived survey tells a powerful story of African liberation." -- Publishers Weekly "How lucky we are that Catherine McKinley has collected this exquisite series of photographs from all corners of the African continent . . . proof of the range of beauty and elegance the world was otherwise telling us we could not possess." -- Edwidge Danticat, from the Introduction "As I slowly moved through the stunningly beautiful pages of The African Lookbook , I found myself being transported by the glorious photographs Catherine McKinley has collected. . . . We took and continue to take the skin, the pain, the fabric, the tools we have. And with all of this--as Catherine McKinley has done here--we make something as beautiful as our own selves." -- Jacqueline Woodson, from the Foreword "From young girls in Mali wearing 'hot' outfits beneath attire deemed respectable by Muslim culture to women defying Western Christianity by wearing traditional African attire to church, McKinley focuses on the ways in which fashion is a form of protest and resistance, preserving history in 'more resilient and revealing' ways than any other. The African Lookbook is an exquisite collection of African photographs and stories bearing witness to the power and grace of African women." -- Booklist ""Aunty!" . . . reveals photography's role as a tool or weapon when investigating identity and empowerment." -- New York Times on AUNTY! "[McKinley's] discoveries resonate, and her unique experiences provide a vivid snapshot of the cultures she encountered in Africa." -- The Washington Post on INDIGO "Gorgeous." -- Los Angeles Times on INDIGO "An eye-opening account of the controversial role this gorgeous, coveted pigment has played through the millennia." -- Elle on INDIGO, "Aunty!" . . . reveals photography's role as a tool or weapon when investigating identity and empowerment., "[A] richly detailed and immersive visual history . . . Packed with arresting images and incisive analysis, this well-conceived survey tells a powerful story of African liberation." -- Publishers Weekly "How lucky we are that Catherine McKinley has collected this exquisite series of photographs from all corners of the African continent . . . proof of the range of beauty and elegance the world was otherwise telling us we could not possess." -- Edwidge Danticat, from the Introduction "As I slowly moved through the stunningly beautiful pages of The African Lookbook , I found myself being transported by the glorious photographs Catherine McKinley has collected. . . . We took and continue to take the skin, the pain, the fabric, the tools we have. And with all of this--as Catherine McKinley has done here--we make something as beautiful as our own selves." -- Jacqueline Woodson, from the Foreword "From young girls in Mali wearing 'hot' outfits beneath attire deemed respectable by Muslim culture to women defying Western Christianity by wearing traditional African attire to church, McKinley focuses on the ways in which fashion is a form of protest and resistance, preserving history in 'more resilient and revealing' ways than any other. The African Lookbook is an exquisite collection of African photographs and stories bearing witness to the power and grace of African women." -- Booklist "[A] bold act of reclaiming. Here, in photographs and lyrical prose, McKinley defies Western stereotypes about African women." -- The Millions "A Year in Reading: Nadia Owusu" ""Aunty!" . . . reveals photography's role as a tool or weapon when investigating identity and empowerment." -- New York Times on AUNTY! "[McKinley's] discoveries resonate, and her unique experiences provide a vivid snapshot of the cultures she encountered in Africa." -- The Washington Post on INDIGO "Gorgeous." -- Los Angeles Times on INDIGO "An eye-opening account of the controversial role this gorgeous, coveted pigment has played through the millennia." -- Elle on INDIGO, "McKinley expertly guides readers through a history lesson of the ways fashion in these countries is connected with colonialism, industrialization and numerous traditions and styles of dressing . . . McKinley delicately reminds us that African traditions, styles, creations and the people themselves -- with their many layers and differences -- don't need to come from fictional kingdoms like Zamunda or Wakanda to deserve attention. The real, everyday beauty of Africa is worth canonizing beyond the continent." - New York Times Book Review "The curator draws on her collection of historical and contemporary photographs of African girls and women for a striking visual history spanning decades." - USA Today, "5 Books not to Miss" "Black is beautiful--no matter what era or geographical region. This historical photography collection depicts that truth stunningly, telling the visual and textual story of African women living on the motherland between 1870 and 1970. Curator Catherine E. McKinley sheds light on their style, relationship dynamics, and the ways they've defeated colonial oppression to flourish on their own, presenting a hardcover that portrays Black women with dignity." - LEVEL " The African Lookbook captures the dignity, grandeur, austerity and liveliness of African women across the century through images curated from celebrated African masters, studios and anonymous artists." - The Root "[A] richly detailed and immersive visual history . . . Packed with arresting images and incisive analysis, this well-conceived survey tells a powerful story of African liberation." - Publishers Weekly "What McKinley offers in this compelling, quixotic book is something closer to a testament--a bold declaration of the enduring strength, beauty and power of African women, many of whom gaze at the camera with evident self-possession. The African Lookbook is a pleasure to absorb, whether you already know about the history of photography on the African continent or are new to the conversation." - BookPage "From young girls in Mali wearing 'hot' outfits beneath attire deemed respectable by Muslim culture to women defying Western Christianity by wearing traditional African attire to church, McKinley focuses on the ways in which fashion is a form of protest and resistance, preserving history in 'more resilient and revealing' ways than any other. The African Lookbook is an exquisite collection of African photographs and stories bearing witness to the power and grace of African women." - Booklist "[A] bold act of reclaiming. Here, in photographs and lyrical prose, McKinley defies Western stereotypes about African women." - The Millions "A Year in Reading: Nadia Owusu" "A really special book." - BookRiot's "For Real" Podcast "How lucky we are that Catherine McKinley has collected this exquisite series of photographs from all corners of the African continent . . . proof of the range of beauty and elegance the world was otherwise telling us we could not possess." - Edwidge Danticat, from the Introduction "As I slowly moved through the stunningly beautiful pages of The African Lookbook , I found myself being transported by the glorious photographs Catherine McKinley has collected. . . . We took and continue to take the skin, the pain, the fabric, the tools we have. And with all of this--as Catherine McKinley has done here--we make something as beautiful as our own selves." - Jacqueline Woodson, from the Foreword, The African Lookbook is a remarkable repository for African women's rich history, their influence on global fashion and photography spanning 100 years. . . . In what remains an incredibly white-washed fashion industry filled with cultural appropriation, very little credit given to Africans and Black women who have (and continue to) contribute to the industry, The African Lookbook upends that reality within its pages., "The curator draws on her collection of historical and contemporary photographs of African girls and women for a striking visual history spanning decades." - USA Today, "5 Books not to Miss" "Black is beautiful--no matter what era or geographical region. This historical photography collection depicts that truth stunningly, telling the visual and textual story of African women living on the motherland between 1870 and 1970. Curator Catherine E. McKinley sheds light on their style, relationship dynamics, and the ways they've defeated colonial oppression to flourish on their own, presenting a hardcover that portrays Black women with dignity." - LEVEL " The African Lookbook captures the dignity, grandeur, austerity and liveliness of African women across the century through images curated from celebrated African masters, studios and anonymous artists." - The Root "[A] richly detailed and immersive visual history . . . Packed with arresting images and incisive analysis, this well-conceived survey tells a powerful story of African liberation." - Publishers Weekly "From young girls in Mali wearing 'hot' outfits beneath attire deemed respectable by Muslim culture to women defying Western Christianity by wearing traditional African attire to church, McKinley focuses on the ways in which fashion is a form of protest and resistance, preserving history in 'more resilient and revealing' ways than any other. The African Lookbook is an exquisite collection of African photographs and stories bearing witness to the power and grace of African women." - Booklist "[A] bold act of reclaiming. Here, in photographs and lyrical prose, McKinley defies Western stereotypes about African women." - The Millions "A Year in Reading: Nadia Owusu" "How lucky we are that Catherine McKinley has collected this exquisite series of photographs from all corners of the African continent . . . proof of the range of beauty and elegance the world was otherwise telling us we could not possess." - Edwidge Danticat, from the Introduction "As I slowly moved through the stunningly beautiful pages of The African Lookbook , I found myself being transported by the glorious photographs Catherine McKinley has collected. . . . We took and continue to take the skin, the pain, the fabric, the tools we have. And with all of this--as Catherine McKinley has done here--we make something as beautiful as our own selves." - Jacqueline Woodson, from the Foreword "Aunty!" . . . reveals photography's role as a tool or weapon when investigating identity and empowerment." - New York Times on AUNTY! "[McKinley's] discoveries resonate, and her unique experiences provide a vivid snapshot of the cultures she encountered in Africa." - The Washington Post on INDIGO "Gorgeous." - Los Angeles Times on INDIGO "An eye-opening account of the controversial role this gorgeous, coveted pigment has played through the millennia." - Elle on INDIGO, The curator draws on her collection of historical and contemporary photographs of African girls and women for a striking visual history spanning decades.
Target Audience
Trade
Lccn
2020-946444
Dewey Decimal
305.4096
Dewey Edition
23
Illustrated
Yes
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u***n (38)- Feedback left by buyer.
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Product is 95% alike picture but a little more blurry. Controller play well but had a notice from psn that my joypad wasn't authentic and could by problematic🤷♂️ no trouble so far! Shipping was fast but no tracking and worst packaging ever.. like the box came banged up... send a question to seller never had a reply 😅.... Good product overall, excellent price, fast shipping, wrapped only on 4 sides out of 6, no tracking and never reply... 4★ product / 2★ seller ✌️
l***t (120)- Feedback left by buyer.
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The book is in perfect condition, brand new, and is exactly as described. This item is difficult to find here, and the seller priced it very reasonably. It shipped from the UK to Canada, and unfortunately took a little longer to arrive than the seller hoped, but it was shipped less than 24 hours after I purchased. When I contacted the seller, they were very responsive and helpful. I would not hesitate to purchase from this seller again. Definitely recommend!
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AAA seller. Item came as described and within the due date. Great communication. Well packed and no damage to the case.
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