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The Theater of Truth: The Ideology - Hardcover, by Egginton William - Acceptable
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eBay item number:404408508024
Item specifics
- Condition
- Book Title
- The Theater of Truth: The Ideology of (Neo)Baroque Aesthetics
- ISBN
- 9780804769549
- Publication Year
- 2009
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Theater of Truth : the Ideology of (Neo) Baroque Aesthetics
- Item Height
- 0.6in
- Item Length
- 9in
- Publisher
- Stanford University Press
- Item Width
- 6in
- Item Weight
- 14.7 Oz
- Number of Pages
- 184 Pages
About this product
Product Information
The Theater of Truth is a book for those interested and engaged in the debates around baroque and neobaroque aesthetics, and offers a unified theory for the relation between these terms and a new vocabulary for distinguishing between their ideological values.
Product Identifiers
Publisher
Stanford University Press
ISBN-10
0804769540
ISBN-13
9780804769549
eBay Product ID (ePID)
80515491
Product Key Features
Publication Name
Theater of Truth : the Ideology of (Neo) Baroque Aesthetics
Format
Hardcover
Language
English
Publication Year
2009
Type
Textbook
Number of Pages
184 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
14.7 Oz
Additional Product Features
Lc Classification Number
Pq6066
Reviews
" The Theater of Truth departs from the recent work on the Baroque and its apparent familiarity with that period by positioning itself instead in an unfamiliar proximity with the familiar present. The consequences of this "anachronistic" challenge are illuminating to an extent that reminds me of the best results of the Frankfurt School, and of the reach of Adorno or Benjamin."-Julio Baena, University of Colorado, "William Egginton's latest book undertakes an ambitious synthesis of intellectual traditions in the service of a grand vision of the baroque."--Donald Gilbert- Santamaría, Modern Language Quarterly, "Egginton's book impressively fulfills its ambitious purpose of exploring the baroque as historical period and as style, as well as its relation to the neobaroque and-most importantly-its role as a fundamental discourse of modernity. This exceptional work has far-reaching philosophical and aesthetic implications." -Marina Brownlee, Princeton University, " The Theater of Truth departs from the recent work on the Baroque and its apparent familiarity with that period by positioning itself instead in an unfamiliar proximity with the familiar present. The consequences of this "anachronistic" challenge are illuminating to an extent that reminds me of the best results of the Frankfurt School, and of the reach of Adorno or Benjamin." --Julio Baena, University of Colorado, "The Theater of Truthdeparts from the recent work on the Baroque and its apparent familiarity with that period by positioning itself instead in an unfamiliar proximity with the familiar present. The consequences of this "anachronistic" challenge are illuminating to an extent that reminds me of the best results of the Frankfurt School, and of the reach of Adorno or Benjamin." -Julio Baena, University of Colorado, " The Theater of Truth departs from the recent work on the Baroque and its apparent familiarity with that period by positioning itself instead in an unfamiliar proximity with the familiar present. The consequences of this "anachronistic" challenge are illuminating to an extent that reminds me of the best results of the Frankfurt School, and of the reach of Adorno or Benjamin."—Julio Baena, University of Colorado, "Egginton's book impressively fulfills its ambitious purpose of exploring the baroque as historical period and as style, as well as its relation to the neobaroque and--most importantly--its role as a fundamental discourse of modernity. This exceptional work has far-reaching philosophical and aesthetic implications."--Marina Brownlee, Princeton University, "William Egginton's latest book undertakes an ambitious synthesis of intellectual traditions in the service of a grand vision of the baroque."-Donald Gilbert- Santamaría, Modern Language Quarterly, "Egginton's book impressively fulfills its ambitious purpose of exploring the baroque as historical period and as style, as well as its relation to the neobaroque and-most importantly-its role as a fundamental discourse of modernity. This exceptional work has far-reaching philosophical and aesthetic implications."-Marina Brownlee, Princeton University, "Egginton's book impressively fulfills its ambitious purpose of exploring the baroque as historical period and as style, as well as its relation to the neobaroque and—most importantly—its role as a fundamental discourse of modernity. This exceptional work has far-reaching philosophical and aesthetic implications."—Marina Brownlee, Princeton University, "William Egginton's latest book undertakes an ambitious synthesis of intellectual traditions in the service of a grand vision of the baroque."—Donald Gilbert- Santamaría, Modern Language Quarterly, " The Theater of Truth departs from the recent work on the Baroque and its apparent familiarity with that period by positioning itself instead in an unfamiliar proximity with the familiar present. The consequences of this "anachronistic" challenge are illuminating to an extent that reminds me of the best results of the Frankfurt School, and of the reach of Adorno or Benjamin."--Julio Baena, University of Colorado, "Egginton's book impressively fulfills its ambitious purpose of exploring the baroque as historical period and as style, as well as its relation to the neobaroque and--most importantly--its role as a fundamental discourse of modernity. This exceptional work has far-reaching philosophical and aesthetic implications." --Marina Brownlee, Princeton University
Copyright Date
2010
Topic
European / Spanish & Portuguese, Aesthetics, American / Hispanic American, Modern / 17th Century
Lccn
2009-022164
Dewey Decimal
860.9/1
Intended Audience
Scholarly & Professional
Dewey Edition
22
Genre
Literary Criticism, Philosophy
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eBay item number:404408508024
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