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Bruce Davidson: Subway by Fred Brathwaite (2011, Hardcover)
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About this product
Product Identifiers
PublisherAperture Foundation, Incorporated
ISBN-101597111945
ISBN-139781597111942
eBay Product ID (ePID)102928494
Product Key Features
Edition3
Book TitleBruce Davidson: Subway
Number of Pages135 Pages
LanguageEnglish
TopicIndividual Photographers / Monographs, Subjects & Themes / Regional (See Also Travel / Pictorials), Subjects & Themes / Lifestyles, United States / Northeast / Middle Atlantic (NJ, NY, Pa)
Publication Year2011
IllustratorYes
GenreTravel, Photography
AuthorFred Brathwaite
FormatHardcover
Dimensions
Item Height0.7 in
Item Weight50.7 Oz
Item Length11.6 in
Item Width11.8 in
Additional Product Features
Intended AudienceTrade
LCCN2011-904077
ReviewsSubway is Davidson's visceral take on the New York underground system of the 1980s complete with beleagured passengers, Guardian Angels, graffiti and a palpable, all-pervasive sense of fear. A glimpse of a New York that is already long gone., Subway is Davidson's visceral take on the New York underground system of the 1980s complete with beleagured passengers, Guardian Angels, graffiti and a palpable, all-pervasive sense of fear. A glimpse of a New York that is already long gone. - The Guardian Here, the enclosed world of the subway is a metaphor for New York itself, in all its frantic hustle and bustle--its violence, its humanity and its hope. - The Guardian Bruce Davidson's Subway ... has become iconic for its juxtaposition of humanity against urban machinery. - Artinfo The brilliant flash, combined with fluorescent lighting, intense colors and Davidson's probing vision, produced images that are dramatic and at times surreal. - Photo District News Essentially, Davidson's images manage to hark back to a forgotten New York City, while simultaneously tapping into a contemporary sense of why New York, with all is attitudes, is still seen to be one of the globe's most vibrant and happening urban cities. - Wings ...Davidson was able to capture an ominous, hautingly poetic, and emotional atmosphere. - Juxtapoz, The brilliant flash, combined with fluorescent lighting, intense colors and Davidson's probing vision, produced images that are dramatic and at times surreal.
Dewey Edition23
Photographed byDavidson, Bruce
Afterword byGeldzahler, Henry
Dewey Decimal779.997471043092
SynopsisBruce Davidson's groundbreaking Subway , first published by Aperture in 1986, has garnered critical acclaim both as a documentation of a unique moment in the cultural fabric of New York City and for its phenomenal use of extremes of color and shadow set against flash-lit skin. In Davidson's own words, "the people in the subway, their flesh juxtaposed against the graffiti, the penetrating effect of the strobe light itself, and even the hollow darkness of the tunnels, inspired an aesthetic that goes unnoticed by passengers who are trapped underground, hiding behind masks and closed off from each other." In this third edition of what is now a classic of photographic literature, a sequence of 118 (including 25 previously unpublished) images transport the viewer through a landscape at times menacing, and at other times lyrical and soulful. The images present the full gamut of New Yorkers, from weary straphangers and languorous ladies in summer dresses to stalking predators and homeless persons. Davidson's accompanying text tells the story behind the images, clarifying his method and dramatizing his obsession with the subway, its rhythms and its particular madness. Bruce Davidson (born 1933) is considered one of America's most influential documentary photographers. He began taking photographs when he was ten, and studied at the Rochester Institute of Technology and the Yale University School of Design. In 1958 he became a member of Magnum Photos, and in 1962 he received a Guggenheim Fellowship to document the civil rights movement. After a solo exhibition at The Museum of Modern Art in 1963, Davidson spent two years photographing in Harlem, resulting in the book East 100th Street . In 1980, after living in New York City for 23 years, Davidson began Subway , his startling color essay of urban life., Bruce Davidson's groundbreaking Subway, first published by Aperture in 1986, has garnered critical acclaim both as a documentation of a unique moment in the cultural fabric of New York City and for its phenomenal use of extremes of color and shadow set against flash-lit skin. In Davidson's own words, the people in the subway, their flesh juxtaposed against the graffiti, the penetrating effect of the strobe light itself, and even the hollow darkness of the tunnels, inspired an aesthetic that goes unnoticed by passengers who are trapped underground, hiding behind masks and closed off from each other.In this third edition of what is now a classic of photographic literature, a sequence of 118 (including 25 previously unpublished) images transport the viewer through a landscape at times menacing, and at other times lyrical and soulful. The images present the full gamut of New Yorkers, from weary straphangers and languorous ladies in summer dresses to stalking predators and homeless persons. Davidson's accompanying text tells the story behind the images, clarifying his method and dramatizing his obsession with the subway, its rhythms and its particular madness., Bruce Davidson's groundbreaking Subway, first published by Aperture in 1986, has garnered critical acclaim both as a documentation of a unique moment in the cultural fabric of New York City and for its phenomenal use of extremes of color and shadow set against flash-lit skin. In Davidson's own words, the people in the subway, their flesh juxtaposed against the graffiti, the penetrating effect of the strobe light itself, and even the hollow darkness of the tunnels, inspired an aesthetic that goes unnoticed by passengers who are trapped underground, hiding behind masks and closed off from each other. In this third edition of what is now a classic of photographic literature, a sequence of 118 (including 25 previously unpublished) images transport the viewer through a landscape at times menacing, and at other times lyrical and soulful. The images present the full gamut of New Yorkers, from weary straphangers and languorous ladies in summer dresses to stalking predators and homeless persons. Davidson's accompanying text tells the story behind the images, clarifying his method and dramatizing his obsession with the subway, its rhythms and its particular madness.
LC Classification NumberTR820.5.D38 2014
Text byDavidson, Bruce
