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About this product
Product Identifiers
PublisherPeachpit Press
ISBN-100321988183
ISBN-139780321988188
eBay Product ID (ePID)175948710
Product Key Features
Number of Pages216 Pages
Publication NameColor Correction Look Book : Creative Grading Techniques for Film and Video
LanguageEnglish
SubjectFilm / Direction & Production, Interactive & Multimedia, Techniques / Cinematography & Videography
Publication Year2013
TypeTextbook
AuthorAlexis Van Hurkman
Subject AreaComputers, Performing Arts, Photography
SeriesDigital Video and Audio Editing Courses Ser.
FormatTrade Paperback
Dimensions
Item Height0.6 in
Item Weight16 Oz
Item Length9.2 in
Item Width7.9 in
Additional Product Features
Intended AudienceTrade
Dewey Edition23
IllustratedYes
Dewey Decimal777.55028553
Table Of ContentWorking With Looks Bleach Bypass Looks Blue-Green Swap Blurred and Colored Vignettes Cross-Processing Simulation Day-for-Night Treatments Duotones and Tritones Emulating Film Stock Film Looks Other Than Grading Flat Looks and Film Flashing Flattened Cartoon Color Glows, Blooms, and Gauze Looks Grain, Noise, and Texture Greenscreen Compositing Grading Workflows Lens Flaring and Veiling Glare Light Leaks and Color Bleeds Monitor and Screen Glow Monochrome Looks Sharpening Tints and Color Washes Undertones Vibrance and Targeted Saturation Vintage Film
SynopsisThe digital colorist's job is no longer to simply balance, fix, and optimize. Today's filmmakers often want to recreate the idiosyncrasies of older recording methods, or are looking for something completely new, to differentiate the look of a given project. Furthermore, end-to-end digital shooting, postproduction, and distribution means that stylizations and effects once created by the film lab are no longer photochemically available. The color grading suite has become the lab, and these sorts of stylizations are now part of the colorist's job description. In this follow-up volume to the bestseller Color Correction Handbook, Alexis Van Hurkman walks you through twenty-one categories of creative grading techniques, designed to give you an arsenal of stylizations you can pull out of your hat when the client asks for something special, unexpected, and unique. Each chapter presents an in-depth examination and step-by-step, cross-platform breakdown of stylistic techniques used in music videos, commercial spots, and cinema. These customizable techniques can be mixed and matched for your own unique effects and include: * bleach bypass looks * cross-processing simulation * day-for-night treatments * emulating film stocks * flat looks * glows, blooms, and gauze looks * grain, noise, and texture * greenscreen compositing workflows * lens flaring and veiling glare * light leaks and color bleeds * monitor and screen glow * monochrome looks * sharpening * tints and color washes * undertones * vibrance and targeted saturation * and many more!, The digital colorist's job is no longer to simply balance, fix, and optimize. Today's filmmakers often want to recreate the idiosyncrasies of older recording methods, or are looking for something completely new, to differentiate the look of a given project. Furthermore, end-to-end digital shooting, postproduction, and distribution means that stylizations and effects once created by the film lab are no longer photochemically available. The color grading suite has become the lab, and these sorts of stylizations are now part of the colorist's job description. In this follow-up volume to the bestseller Color Correction Handbook, Alexis Van Hurkman walks you through twenty-one categories of creative grading techniques, designed to give you an arsenal of stylizations you can pull out of your hat when the client asks for something special, unexpected, and unique. Each chapter presents an in-depth examination and step-by-step, cross-platform breakdown of stylistic techniques used in music videos, commercial spots, and cinema. These customizable techniques can be mixed and matched for your own unique effects and include: - bleach bypass looks - cross-processing simulation - day-for-night treatments - emulating film stocks - flat looks - glows, blooms, and gauze looks - grain, noise, and texture - greenscreen compositing workflows - lens flaring and veiling glare - light leaks and color bleeds - monitor and screen glow - monochrome looks - sharpening - tints and color washes - undertones - vibrance and targeted saturation - and many more, The digital colorist's job is no longer to simply balance, fix, and optimize. Today's filmmakers often want to recreate the idiosyncrasies of older recording methods, or are looking for something completely new, to differentiate the look of a given project. Furthermore, end-to-end digital shooting, postproduction, and distribution means that stylizations and effects once created by the film lab are no longer photochemically available. The color grading suite has become the lab, and these sorts of stylizations are now part of the colorist's job description. In this follow-up volume to the bestseller Color Correction Handbook, Alexis Van Hurkman walks you through twenty-one categories of creative grading techniques, designed to give you an arsenal of stylizations you can pull out of your hat when the client asks for something special, unexpected, and unique. Each chapter presents an in-depth examination and step-by-step, cross-platform breakdown of stylistic techniques used in music videos, commercial spots, and cinema. These customizable techniques can be mixed and matched for your own unique effects and include:* bleach bypass looks* cross-processing simulation* day-for-night treatments* emulating film stocks* flat looks* glows, blooms, and gauze looks* grain, noise, and texture* greenscreen compositing workflows* lens flaring and veiling glare* light leaks and color bleeds* monitor and screen glow* monochrome looks* sharpening* tints and color washes* undertones* vibrance and targeted saturation* and many more!
LC Classification NumberTR899
