Grade ToCollege Graduate Student
Table Of ContentPart I: Foundations Chapter 1. Toward Transformative Teachers: Critical and Feminist Perspectives in Dance Education, Sherry B. Shapiro Chapter 2. Seeking a Feminist Pedagogy for Children's Dance, Susan W. Stinson Chapter 3. Somatics: A Tool for Empowering Modern Dance Teachers, Sylvie Fortin Part II: Telling Stories Chapter 4. Into the Light: An Expanding Vision of Dance Education, Jan Bolwell Chapter 5. Her Story, Sondra Stamey Sluder Chapter 6. On Authoritarianism in the Dance Classroom, Clyde Smith Part III: Writing New Stories Chapter 7. Art and the Community: Breaking the Aesthetic of Disempowerment, Christine M. Lomas Chapter 8. Dance Education in/and the Postmodern, Isabel A. Marques
Synopsis" In Dance, Power, and Difference , eight leading dance educators from around the world examine the fundamental values and goals of dance and dance education. Using a variety of approaches-including general critique, case studies, and personal histories- Dance, Power, and Difference provides a foundation for reconstructing dance education in light of critical, social, and cultural concerns. This is not an answer book, however. It is a thought-provoking book that encourages readers to question traditional practices and develop a personal philosophy that is both critical and feminist. Dance, Power, and Difference seeks to transform the way readers think about dance-not only regarding how it is taught, researched, and critiqued, but also in terms of its purpose and aims. The contributors link dance to themes of human emancipation, multicultural awareness, and gender awareness, prompting readers to contemplate questions like these: - How do we think of and value ""the body"" in dance? - What cultural values, if any, should we impart to our students? - What changes might a feminist-oriented pedagogy for dance stimulate? - How should we prepare ourselves to work with students from cultures that are different from our own? - Should we perpetuate old teaching methods? Part I introduces the reader to foundational questions concerning curriculum, pedagogy, and research. Part II presents personal stories that place these questions in the context of specific situations. Part III discusses the role of dance within the broader political and social arena. Each chapter includes an abstract, critical reflections, questions to spur class discussion and individual thought, and references. "
LC Classification NumberGV1589.D387 1998