Picture 1 of 2

Stock photo

Exploring New World Imagery : Spanish Colonial Papers from the 20 - Picture 1 of 2

Exploring New World Imagery : Spanish Colonial Papers from the 20 - Picture 2 of 2

Exploring New World Imagery : Spanish Colonial Papers from the 2002 Mayer Center Symposium by Donna Pierce (2005, Perfect)

Better World Books (2787617)

98.9% positive feedback

Price:

US $8.97

ApproximatelyC $12.41

+ $12.50 shipping

Estimated delivery Mon, Sep 15 - Thu, Sep 25

Returns:

30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.

Condition:

Very Good

About this product

Product Identifiers

PublisherDenver Art Museum

ISBN-100914738518

ISBN-139780914738510

eBay Product ID (ePID)52026870

Product Key Features

Number of Pages160 Pages

LanguageEnglish

Publication NameExploring New World Imagery : Spanish Colonial Papers from the 2002 Mayer Center Symposium

Publication Year2005

SubjectAmerican / General

TypeTextbook

Subject AreaArt

AuthorDonna Pierce

FormatPerfect

Dimensions

Item Height0.2 in

Item Weight13.9 Oz

Item Length9 in

Item Width6.5 in

Additional Product Features

Intended AudienceScholarly & Professional

IllustratedYes

Table Of ContentForeword (Lewis Sharp)Acknowledgments (Donna Pierce)Part One: Creating New World ImageryChristian Cross as Indigenous "World Tree" in Sixteenth-Century Mexico: The "Atrio" Cross in the Frederick and Jan Mayer Collection (Samuel Y. Edgerton)The Reproducibility of' the Sacred Simulacra of the Virgin of Guadalupe (Jeanette Favrot Peterson)Part Two: Negotiating New World IdentityInka Nobles: Portraiture and Paradox in Colonial Peru (Carolyn Dean)Part Three: Evolving New World StylesThe Mexican Painter Cristóbal de Villalpando: His Life and Legacy (Juana Gutiérrez Haces)Miguel de Santiago (c. 1633-1706): The Creation and Recreation of the Quito School (Alexandra Kennedy-Troya)Photograph & Object Credits

SynopsisThe Jan and Frederick Mayer Center for Pre-Columbian and Spanish Colonial Art at the Denver Art Museum sponsors annual symposia in these two fields of art. This volume presents essays on Spanish colonial art from the 2002 symposium, which focused on objects in the collections at the museum. Color reproductions of many of these works illustrate the essays, which include: ? "Christian Cross as Indigenous 'World Tree' in Sixteenth-Century Mexico: The 'Atrio' Cross in the Jan and Frederick Mayer Collection," by Samuel Y. Edgerton, Professor of Art History, Williams College ? "The Reproducibility of the Sacred: Simulacra of the Virgin of Guadalupe," by Jeanette Favrot Peterson, Associate Professor of Art History, University of California, Santa Barbara ? "Inka Nobles, Portraiture, and Paradox in Colonial Peru," by Carolyn Dean, Professor of Art History, University of California, Santa Cruz ? "The Mexican Painter Crist'bal de Villalpando: His Life and Legacy," by Juana Guti'rrez Haces, Research Fellow and Art History Professor, Instituto de Investigaciones Est'ticas, Universidad Nacional Aut'noma de M'xico ? "Miguel de Santiago (c. 1633-1706): The Creation of the Quito School and Its Re-creation in the Nineteenth Century" by Alexandra Kennedy-Troya, Professor of Art History, University of Cuenca, The Jan and Frederick Mayer Center for Pre-Columbian and Spanish Colonial Art at the Denver Art Museum sponsors annual symposia in these two fields of art. This volume presents essays on Spanish colonial art from the 2002 symposium, which focused on objects in the collections at the museum. Color reproductions of many of these works illustrate the essays, which include: - "Christian Cross as Indigenous 'World Tree' in Sixteenth-Century Mexico: The 'Atrio' Cross in the Jan and Frederick Mayer Collection," by Samuel Y. Edgerton, Professor of Art History, Williams College- "The Reproducibility of the Sacred: Simulacra of the Virgin of Guadalupe," by Jeanette Favrot Peterson, Associate Professor of Art History, University of California, Santa Barbara- "Inka Nobles, Portraiture, and Paradox in Colonial Peru," by Carolyn Dean, Professor of Art History, University of California, Santa Cruz- "The Mexican Painter Cristóbal de Villalpando: His Life and Legacy," by Juana Gutiérrez Haces, Research Fellow and Art History Professor, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México- "Miguel de Santiago (c. 1633-1706): The Creation of the Quito School and Its Re-creation in the Nineteenth Century" by Alexandra Kennedy-Troya, Professor of Art History, University of Cuenca, The Jan and Frederick Mayer Center for Pre-Columbian and Spanish Colonial Art at the Denver Art Museum sponsors annual symposia in these two fields of art. This volume presents essays on Spanish colonial art from the 2002 symposium, which focused on objects in the collections at the museum. Color reproductions of many of these works illustrate the essays, which include:? ?Christian Cross as Indigenous 'World Tree' in Sixteenth-Century Mexico: The 'Atrio' Cross in the Jan and Frederick Mayer Collection,? by Samuel Y. Edgerton, Professor of Art History, Williams College? ?The Reproducibility of the Sacred: Simulacra of the Virgin of Guadalupe,? by Jeanette Favrot Peterson, Associate Professor of Art History, University of California, Santa Barbara? ?Inka Nobles, Portraiture, and Paradox in Colonial Peru,? by Carolyn Dean, Professor of Art History, University of California, Santa Cruz? ?The Mexican Painter Cristóbal de Villalpando: His Life and Legacy,? by Juana Gutiérrez Haces, Research Fellow and Art History Professor, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México? ?Miguel de Santiago (c. 1633-1706): The Creation of the Quito School and Its Re-creation in the Nineteenth Century? by Alexandra Kennedy-Troya, Professor of Art History, University of Cuenca, The Jan and Frederick Mayer Center for Pre-Columbian and Spanish Colonial Art at the Denver Art Museum sponsors annual symposia in these two fields of art. This volume presents essays on Spanish colonial art from the 2002 symposium, which focused on objects in the collections at the museum. Color reproductions of many of these works illustrate the essays.