Reviews
"In Life on Mars , Smith shows herself to be a poet of extraordinary range and ambition. It's not easy to be so convincing in both the grand gesture and the reverent contemplation of a humble plate of eggs. . . . As all the best poetry does, Life on Mars first sends us out into the magnificent chill of the imagination and then returns us to ourselves, both changed and consoled." -- Joel Brouwer, The New York Times Book Review "[ Life on Mars ] is by turns intimate, even confessional, regarding private life in light of its potential extermination, and resoundingly political, warning of a future that 'isn't what it used to be,' the refuse of a party piled with 'postcards / And panties, bottles with lipstick on the rim.' " -- Dan Chiasson, The New Yorker "The book's strange and beautiful first section pulses with America's adolescent crush on the impossible, on what waits beyond the edge of the universe. . . . But what's most satisfying about [ Life on Mars ] is that after the grand space opera of Part 1, with its giddy name checks of 2001 and David Bowie, Ms. Smith shows us that she can play the minor keys, too. Her Martian metaphor firmly in place, she reveals unknowable terrains: birth and death and love." -- Dana Jennings, The New York Times "[ Life on Mars ] blends pop culture, history, elegy, anecdote, and sociopolitical commentary to illustrate the weirdness of contemporary living. . . . The title poem, which includes everything from 'dark matter' and 'a father.../ who kept his daughter/ Locked in a cell for decades' to Abu Ghraib is proof that life is far stranger and more haunting than fiction." -- Publishers Weekly (starred review) "Hypnotic and brimming with irony, the poems in Smith's latest volume aren't so much about outer space as the interior life and the search for the divine. . . . The spiritual motif running through these poems adds a stunning dimension that will please many readers." -- Library Journal "[Tracy K. Smith is] one of the finest poets writing right now." -- Gabrielle Calvocoressi, The Miami Herald "In Life on Mars , a vibrant collection of verse, Smith pays homage to David Bowie ('the Pope of Pop'), Stanley Kubric, the Hubble Telescope, JFK airport and more. It's a gripping, intergalactic ride that marvels at the miracles and malfunctions of our ever changing world. 'Like a wide wake, rippling/Infinitely into the distance, everything/That ever was still is, somewhere.'" -- More Magazine "[The poems] are smart, funny, and expertly crafted." -- San Francisco Chronicle, Best Poetry of 2011 "A strong, surprising, and often beautiful book. . . . Consistently surprising and demanding, Life on Mars gives materiality to Victor Martinez's statement that 'poetry is the essence of thinking.' " -- Sean Singer, The Rumpus, Praise for Life on Mars : "In Life on Mars , Smith shows herself to be a poet of extraordinary range and ambition. It's not easy to be so convincing in both the grand gesture and the reverent contemplation of a humble plate of eggs. . . . As all the best poetry does, Life on Mars first sends us out into the magnificent chill of the imagination and then returns us to ourselves, both changed and consoled." -Joel Brouwer, The New York Times Book Review "[ Life on Mars ] is by turns intimate, even confessional, regarding private life in light of its potential extermination, and resoundingly political, warning of a future that 'isn't what it used to be,' the refuse of a party piled with 'postcards / And panties, bottles with lipstick on the rim.' " -Dan Chiasson, The New Yorker "The book's strange and beautiful first section pulses with America's adolescent crush on the impossible, on what waits beyond the edge of the universe. . . . But what's most satisfying about [ Life on Mars ] is that after the grand space opera of Part 1, with its giddy name checks of 2001 and David Bowie, Ms. Smith shows us that she can play the minor keys, too. Her Martian metaphor firmly in place, she reveals unknowable terrains: birth and death and love." -Dana Jennings, The New York Times "[ Life on Mars ] blends pop culture, history, elegy, anecdote, and sociopolitical commentary to illustrate the weirdness of contemporary living. . . . The title poem, which includes everything from 'dark matter' and 'a father.../ who kept his daughter/ Locked in a cell for decades' to Abu Ghraib is proof that life is far stranger and more haunting than fiction." - Publishers Weekly (starred review) "Hypnotic and brimming with irony, the poems in Smith's latest volume aren't so much about outer space as the interior life and the search for the divine. . . . The spiritual motif running through these poems adds a stunning dimension that will please many readers." - Library Journal "[Tracy K. Smith is] one of the finest poets writing right now." -Gabrielle Calvocoressi, The Miami Herald "In Life on Mars , a vibrant collection of verse, Smith pays homage to David Bowie ('the Pope of Pop'), Stanley Kubric, the Hubble Telescope, JFK airport and more. It's a gripping, intergalactic ride that marvels at the miracles and malfunctions of our ever changing world. 'Like a wide wake, rippling/Infinitely into the distance, everything/That ever was still is, somewhere.' " - More Magazine "[The poems] are smart, funny, and expertly crafted." - San Francisco Chronicle , Best Poetry of 2011 "A strong, surprising, and often beautiful book. . . . Consistently surprising and demanding, Life on Mars gives materiality to Victor Martinez's statement that 'poetry is the essence of thinking.' " -Sean Singer, The Rumpus, Hypnotic and brimming with irony, the poems in Smith's latest volume aren't so much about outer space as the interior life and the search for the divine. . . . The spiritual motif running through these poems adds a stunning dimension that will please many readers., [ Life on Mars ] blends pop culture, history, elegy, anecdote, and sociopolitical commentary to illustrate the weirdness of contemporary living. . . . The title poem, which includes everything from 'dark matter' and 'a father.../ who kept his daughter/ Locked in a cell for decades' to Abu Ghraib is proof that life is far stranger and more haunting than fiction., A strong, surprising, and often beautiful book. . . . Consistently surprising and demanding, Life on Mars gives materiality to Victor Martinez's statement that 'poetry is the essence of thinking.', [ Life on Mars ] is by turns intimate, even confessional, regarding private life in light of its potential extermination, and resoundingly political, warning of a future that 'isn't what it used to be,' the refuse of a party piled with 'postcards / And panties, bottles with lipstick on the rim.', In Life on Mars , a vibrant collection of verse, Smith pays homage to David Bowie ('the Pope of Pop'), Stanley Kubric, the Hubble Telescope, JFK airport and more. It's a gripping, intergalactic ride that marvels at the miracles and malfunctions of our ever changing world. 'Like a wide wake, rippling/Infinitely into the distance, everything/That ever was still is, somewhere.', Praise for Life on Mars : "In Life on Mars , Smith shows herself to be a poet of extraordinary range and ambition. It's not easy to be so convincing in both the grand gesture and the reverent contemplation of a humble plate of eggs. . . . As all the best poetry does, Life on Mars first sends us out into the magnificent chill of the imagination and then returns us to ourselves, both changed and consoled." -Joel Brouwer, The New York Times Book Review "[ Life on Mars ] is by turns intimate, even confessional, regarding private life in light of its potential extermination, and resoundingly political, warning of a future that 'isn't what it used to be,' the refuse of a party piled with 'postcards / And panties, bottles with lipstick on the rim.' " -Dan Chiasson, The New Yorker "The book's strange and beautiful first section pulses with America's adolescent crush on the impossible, on what waits beyond the edge of the universe. . . . But what's most satisfying about [ Life on Mars ] is that after the grand space opera of Part 1, with its giddy name checks of 2001 and David Bowie, Ms. Smith shows us that she can play the minor keys, too. Her Martian metaphor firmly in place, she reveals unknowable terrains: birth and death and love." -Dana Jennings, The New York Times "[ Life on Mars ] blends pop culture, history, elegy, anecdote, and sociopolitical commentary to illustrate the weirdness of contemporary living. . . . The title poem, which includes everything from 'dark matter' and 'a father.../ who kept his daughter/ Locked in a cell for decades' to Abu Ghraib is proof that life is far stranger and more haunting than fiction." - Publishers Weekly (starred review) "Hypnotic and brimming with irony, the poems in Smith's latest volume aren't so much about outer space as the interior life and the search for the divine. . . . The spiritual motif running through these poems adds a stunning dimension that will please many readers." - Library Journal "[Tracy K. Smith is] one of the finest poets writing right now."-Gabrielle Calvocoressi, The Miami Herald "In Life on Mars , a vibrant collection of verse, Smith pays homage to David Bowie ('the Pope of Pop'), Stanley Kubric, the Hubble Telescope, JFK airport and more. It's a gripping, intergalactic ride that marvels at the miracles and malfunctions of our ever changing world. 'Like a wide wake, rippling/Infinitely into the distance, everything/That ever was still is, somewhere.' " - More Magazine "[The poems] are smart, funny, and expertly crafted." - San Francisco Chronicle , Best Poetry of 2011 "A strong, surprising, and often beautiful book. . . . Consistently surprising and demanding, Life on Mars gives materiality to Victor Martinez's statement that 'poetry is the essence of thinking.' " -Sean Singer, The Rumpus, In Life on Mars , Smith shows herself to be a poet of extraordinary range and ambition. It's not easy to be so convincing in both the grand gesture and the reverent contemplation of a humble plate of eggs. . . . As all the best poetry does, Life on Mars first sends us out into the magnificent chill of the imagination and then returns us to ourselves, both changed and consoled., The book's strange and beautiful first section pulses with America's adolescent crush on the impossible, on what waits beyond the edge of the universe. . . . But what's most satisfying about [ Life on Mars ] is that after the grand space opera of Part 1, with its giddy name checks of 2001 and David Bowie, Ms. Smith shows us that she can play the minor keys, too. Her Martian metaphor firmly in place, she reveals unknowable terrains: birth and death and love.
