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4 Reviews
10 / 10 for Yeezy
For a pop star, Kanye West has always been shockingly transparent. His debut album, The College Dropout, dissected the highs and lows of the twentysomething worker bee with relatable everyman charm. When his mother passed and his girlfriend dumped him a few years back, he took to the airwaves with 808s & Heartbreak, which was one long Auto-Tuned emotional meltdown. His persona has always thrived on his weaknesses as much as his strengths -- and his awareness of them. He knows his limitations, and if nothing else, his decision to write and produce his last few albums by committee communicates that. Only Jon Brion could’ve given Late Registration the orchestral, Ivy League pomp it deserved. DJ Toomp and Mike Dean’s bleating synths brought Graduation greater depth of musical character. Kid Cudi’s dejected but tuneful songwriting carried much of 808s & Heartbreak. Kanye is forever in service to the song, willing to call on whatever stable of talent and deliver whatever level of public self-flagellation that is required to get the point across.
For that reason, watching Kanye’s meteoric rise has always carried a hint of voyeurism. When things were going well, Kanye’s albums were all-access passes to his newfound celebrity. Recently they haven’t been going so well, though. In the wake of his drunken gaffe onstage at the 2009 MTV Video Music Awards, Kanye quickly became the music industry’s biggest heel, enduring the ridicule of everyone from laymen to bloggers to fellow musicians to the president of the United States. Kanye seemed to vanish after the Taylor Swift fiasco, but it turns out much of the duration of West’s supposed exile was spent in Hawaii recording. West returned with the snarling, King Crimson-sampling “Power” in May and began a track-a-week music series called G.O.O.D. Fridays that gifted fans epic posse cuts that packed many of the music industry’s best and brightest into six- and seven-minute workouts. The G.O.O.D. Friday tracks were fantastic publicity: Not only did they slowly worm Kanye back into the good graces of the public, but they also prepared us, step by step, for what he had in store for us.
That next step is My Beautiful Dark Twisted Fantasy, a lushly orchestrated, regal gala of an album that is every bit as outsized and jumbled as its adjective-engorged title. The album benefits from the shared production and songwriting talent of a pantheon of artists from all over the musical landscape. On the first song alone, RZA supplies a sinister two-note groove punctuated by gorgeous choral breakdowns, vocals from Bon Iver, and a narrative from Nicki Minaj in a faux British accent. Elsewhere Kanye tricks out Bon Iver’s “Woods” on “Lost in the World," adding tribal chants and percussion and a pulsating house beat. Bink’s beat for “Devil in a New Dress” peters out midway through, and a live band plays a sultry, emotive take on that beat.
That is to say, Dark Twisted Fantasy is an album full off melodic ideas, copious guest features, winding songs, unexpected twists, and improbable pairings. Its ethos is “more is more,” and where similarly extravagant outings have failed on the wings of their own excess, this one gets over for being rooted in Kanye’s most tuneful and accessible set of tunes in ages. The simple piano melody at the heart of “Runaway," the triumphant trumpet fanfares of “All of the Lights," and other flourishes cement Kanye’s skills as a talented pop architect with an undeniable ear for melody.Read full review...
Excellent purchase
Great product. I got it right away and everything was included. I can't say anything bad about it. I recommend this to others, from my experience.
One of Kanye's Best Albums
Kanye Returns to his root's in Hip Hop in order to move foward in his career. Definately one of Kanye's Best Albums.
Great CD
Nice packaging and great music, good beats and good lyrics to listen to. Bought this album after hearing tracks on Youtube and love owning a copy. 5 Stars