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Reviews (5)
Jul 10, 2022
Universal's Wolfman Sequels.
Hans J. Salter scores and the character actors are what make these films entertaining. Other than Long Chaney, Jr. and Patrick Knowles, the lead actors are less engaging. Karloff is stuck with a weak script and gives a tepid performance at best. The sequel to House of Frankenstein, House of Dracula, is generally regarded as the better film in terms of the performances and script. The charm of House of Frankenstein is in the novelty of its campiness, which wears out before the end. It lacks a flashback sequence to establish continuity with Frankenstein Meets the Wolfman, which has much better opening and closing scenes than House of Frankenstein, and a better script for Lon Chaney, Jr. to work with. Bela Lugosi, as the Frankenstein monster, has little to do, and the same goes for Glenn Strange in the role for the "House" film, which also features John Carradine as Count Dracula. His part was replayed to much better effect in the sequel (House of Dracula), which redeems the whole "monster rally" series from the unintentional humor of the pot-holed script of House of Frankenstein. Unfortunately for gothic horror fans, Universal would later revive these characters in the atrocious Abbott and Costello Meet Frankenstein, a film that is nothing but garbage.
Aug 05, 2020
Slim and attractive annotated source.
Very well illusrated set of strange stories. Editorial content veers into irrelevance by pointless quoting of Lovecraft. Text also repeats due to proofreading error.
Mar 27, 2022
Not to be missed!
A fine but thin selection of short horror and fantasy stories by a master of the genre. Joseph Payne Brennan's "old school" tales of the supernatural are a relief from the tired cliches of modern horror, and his style is clearly that of a poet, a quality for which he is underrated.