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Reviews (3)
Jun 24, 2019
The industry standard
Gotoh quality and silky smooth tuning at a great price!
Jul 15, 2018
Great, but you gotta know what you're doing!
So many parameters you can program to a single button (if you want). All physical buttons programmable. Single commands or sequences. Syncs easily with Logitech hub. People who criticize it for not properly handling input switching don't realize the problem is actually with wildly inconsistent implementation by manufacturers. The programming software actually asks how your device/remote handles input switching, but it only envisions cycling through an inputs menu or dedicated input buttons, but there are many more programming schemes from different mfg's; some (Magnavox) treat inputs like channels and cycle through them with the ch+/ch- buttons. Some switch to an active HDMI CEC input when that input's device receives new commands. Some (Dynex) only display the inputs/sources when you hit the "input/source" button, but then you have to switch using the up/down buttons, and even then, some will switch to the selected input after x-amount of time, whereas some require you to hit the "select/OK" button. All in all, Logitech has done a pretty good job of giving you enough options/tools to create an activity that will work, even if it takes 30 seconds to execute, and a some creative programming to achieve. I figured out solutions to all the above input quirks for devices 3-13 years old. The biggest plus is that it has a built-in IR receiver to learn my devices' unique comands!! If your device's original remote has a button for it, the Harmony Touch can learn it, and, because you do it while connected to their Harmony desktop software, it's simpler than the procedure you needed for old 90's/00's "learning" remotes.
Jan 10, 2017
Almost perfect
1 of 1 found this helpful This pedal is perfect for anyone who is running their complex delay/reverb/ambience stuff in an effects loop, but needs a 'swiss army knife' pedal for effects that need to go in front of the amp (distortion, wah, phaser, etc.). I was playing in the pit for our local HS musical last fall (they haven't had any electric guitarists...or bassists or drummers for that matter... in the student population for the last 7-8 years...I blame vocalist-centric reality TV shows....but I digress). The show was "Sister Act" and, unlike the R&B tinged '92 movie, the (2006) stage musical is all late 70's disco style. Needless to say, I needed a wah-wah pedal. Instead of shelling out the same amount for a decent 'one-trick-pony' wah pedal, I opted for this unit, as I have been looking for a multi-function 'in-front-of-the-amp' pedal for a while, and I already had an expression pedal for my keyboard. My expression pedal was the dirt cheap M-Audio plastic one that, according to Line6's own website, shouldn't work with this unit...except it did. Yes, even when toggling the "M-Audio/Other" switch on the underside of the pedal, at first It either didn't work at all, or worked backwards. But then, I discovered the genius programming built into this little gem. If you rock the EXP pedal either full up or full down, you can manually set the heel/toe values for ANY of the 5 adjustable parameters in a given effect. SO.......In the tube/tape delay effect, for example, I have it set so the repeats, drive/gain, and "wow/flutter" all increase (each by individually set amounts) when I rock the EXP pedal from heel to toe. Add to that the fact that this is a dual stomp switch pedal with a dedicated tap-tempo switch, and you have an ultra-controlable delay unit. My only niggle is in the auto-wah/'tron' department. While they have a few dynamics-based filter effects models, only one is a dedicated Mu-Tron/envelope-filter type effect. What's more, since they only have the one model, and only 5 adjustable parameters, they decided to allot some of those 5 precious parameter knobs to things like "high-/low-/band-pass filter" and left out the crucial "sensitivity" setting. My rig is old-school; vintage non-master-volume amp + tube screamer + THD Hotplate. All my gain/distortion is controlled via my guitar's volume knob. The problem is, with no 'sensitivity' setting on the 'Tron' effect model, you only get decent results if your guitar volume is full up on or near 10. Unfortunately, most of the situations where you want to use this type of effect are with a relatively clean tone. But, since I can only get said cleaner tone by rolling back my guitar's volume, I don't have enough signal to trigger the wah effect. Instead of including some of the 'cool-but-of-limited-usefulness' models like "Comet Trails" in this section of the pedal, I wish Line6 would have had multiple 'Tron' models (high-/low-/band-pass) with sensitivity parameter adjustments all 'round.
Full disclosure; what with my fore mentioned rig, I have not at all explored the distortion section of this pedal, and thus cannot comment on it's quality or lack thereof. I have at least dabbled in the modulation section, and done extensive exploration in the filter, delay, and Reverb sections, and found them all adequate to superior in tone and 'controlability' (OK, maybe not a real word...yet). And, c'mon, for $130? You really can't beat this!