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solovem

solovem

1.2K items sold
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Location: United StatesMember since: Nov 16, 1999

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Last 12 months

Positive132- positive feedback in last 12 months
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Average for the last 12 months

Accurate description
5.0
Reasonable shipping cost
5.0
Shipping speed
5.0
Communication
5.0

All feedback (836)

o***l (1823)- Feedback left by buyer.
Past year
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Highly Recommended Seller! Excellent communication, card as described, and fast shipping. Thanks! A+
r***7 (725)- Feedback left by buyer.
Past 6 months
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Excellent seller, great communication and fast shipping! Thanks
r***f (478)- Feedback left by buyer.
Past year
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Thank you for an excellent buying experience. Fast shipping and great packaging. Item arrived exactly as pictured and described. A+++++
b***b (197)- Feedback left by buyer.
Past month
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Great seller! Exactly as described! Awesome product. Highly recommend!
retroactivo-records (12194)- Feedback left by buyer.
Past year
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Good buyer, prompt payment, valued customer, highly recommended.
n-lion (8644)- Feedback left by buyer.
Past month
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Got to love buyers that pay this quickly!
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Reviews (2)
LATIVA Dry Herb Pens (Authorized Distributor) **NEW**
Apr 03, 2016
Well designed
It's temperature controlled and well designed. The chamber is ceramic and the top piece is completely steel. It recharges from USB and it's easy to clean the mouthpiece by unscrewing the steel filter.
Apr 09, 2008
Thought provoking perspective on visual design
I admit. I do not have natural tendencies for developing web sites, color maps, charts, schedules, power points, diagrams or GUIs. Anything as such comes out in complete discord until I came across Edward Tufte's name in a seminar brochure. Edward Tufte scrutinizes design strategies all they way back in time from the Renaissance period into the 20th century. Initially I wondered, how on earth are these prestigious techniques presented in ancient times similarly applied today? They are not common today. Computer programs and marketing propaganda have limited our visual expectations to only broad and small pieces of information, limiting our learning space about the world we live in. Beyond contemporary appeals, Edward sheds out underlying utility out of these relics into everyday use. His prime example is a 1735 London figure of two dancers. The drawing describes their dance in time, motion, and sound without common resort to animation. Chapters in this book: Escaping Flatland, Micro/Macro Readings, Layering and Separation, Small Multiples, Color and Information, and Narratives of Space and Time.
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