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Reviews (8)
Jan 13, 2018
As good as the factory model
Made in Taiwan, the quality is excellent. If your current mirror is color keyed to the paint on the car, this mirror comes with a replaceable panel which you can remove and use your current painted panel as a replacement so that it will stay color coded to the car. If your current panel is broken, you can use the flat black panel that comes with it, or have it painted to match the paint. Very good idea. Everything about this mirror is right. Plug and play.
May 01, 2008
All that Jazz, a bio of Bob Fosse
2 of 2 found this helpful To think that this movie was released in 1979 is unbelievable, it was so far ahead of it's time. Great presentation on screen, although Fosse was first a dancer, then a choreographer and then a director. This film was between directing "Lenny" and writing "Chicago" in his career. It has pieces of both works scattered throughout the film. It was Roy Scheider's best work, and should have earned him the Best Actor Oscar that year, had it not gone to Hoffman for Kramer Vs. Kramer. His performance was just one of many great performances in this film. There is so much to Fosse's character that you don't see in the story that it's worth doing a little research to understand the relevance of all the details that fly past on screen. Watch it once, google Fosse, watch it again. It just gets better. Fosse was a brilliant and tragic figure and this film gets it all, as he rides harder and faster in everything he does, right up to the eventual self destruction. The dance number Airotica is simply over the top; great hard bodies just letting it all go. I've never seen better choreography in any movie with the exception of some of Astaire's work.
Dec 21, 2010
Don't settle for less than the original cast recording
I buy a lot of soundtracks. Sometimes it's because I'm doing the play locally in the community theatre circuit, other times it's because I just like the music. Over time, I've learned that it's usually the original cast recording that portrays the characters properly. After all, those are the people that "invented" the characters. The Producers is a little different. The original characters were created by Zero Mostel and Gene Wilder, but the original movie did not have this score. Mostel was a great voice (he invented Tevye in Fiddler on the Roof) and could have done a wonderful job with this score, no doubt, but Nathan Lane absolutely SHINES in this role. Very few people on this earth have a feel for tempo or can execute flawless entrances the way Lane does it with Max Bailystock. He was made for roles like this, and his easy way of blending song and dialogue is amazing. And Matthew Broderick does a very respectable job as Leo Bloom and can carry a tune as well as any seasoned Broadway pro. The chorus numbers are all 'over the top'. This was a big budget production and the audition hall must have been packed with first class talent for this show. The nice thing about buying soundtracks from the mid-70's onward is that the production quality is always excellent, and The Producers is no exception, truly a studio masterpiece.